"Zlatiye gori (Golden mountains), Op. 30: V. Funeral March: Largo —" by Dmitri Shostakovich, BBC Philharmonic, Vassily Sinaisky was released on March 1, 2004. The duration of Zlatiye gori (Golden mountains), Op. 30: V. Funeral March: Largo — is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Zlatiye gori (Golden mountains), Op. 30: V. Funeral March: Largo —'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Shostakovich: Film Music, Vol. 2 - Golden Mountains / The Gadfly / Volochayev Days". In this album, this song's track order is #4. Zlatiye gori (Golden mountains), Op. 30: V. Funeral March: Largo — is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Zlatiye gori (Golden mountains), Op. 30: V. Funeral March: Largo — by Dmitri Shostakovich, BBC Philharmonic, Vassily Sinaisky having a テンポ of 67 with a half-time of 34 テンポ and a double-time of 134 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | B♭ Major | 2 | 6B | 73 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM | ||
Ballet Suite No. 4 (arr. L. Atovmyan): Prelude (Variation) (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | B Minor | 2 | 10A | 77 BPM | ||
Wagner: Albumblatt, WWV 94 | Richard Wagner, Renaud Capuçon | A Major | 2 | 11B | 87 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172 | Franz Liszt, Lang Lang | D♭ Major | 0 | 3B | 74 BPM | ||
Symphony No. 40 in G Minor, K. 550: I. Allegro molto | Wolfgang Amadeus Mozart, Capella Istropolitana, Barry Wordsworth | G Minor | 2 | 6A | 109 BPM | ||
Raymonda, Act III: Variation for male dancer | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | A♭ Major | 0 | 4B | 61 BPM | ||
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
Paganini variations: Variation 4 | Eugène Ysaÿe, Laurent Korcia, Haruko Ueda | A Minor | 1 | 8A | 97 BPM | ||
Romeo and Juliet, Op. 64: No. 13 Dance of the Knights | Sergei Prokofiev, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | C Major | 1 | 8B | 73 BPM |