"Martini: Plaisir d'amour" by Jean-Paul-Égide Martini, Barbara Hendricks, Michel Dalberto was released on 1989. The duration of Martini: Plaisir d'amour is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Martini: Plaisir d'amour's duration is considered a little bit shorter than the average duration of a typical track. The song is number 22 out of 50 in Barbara Hendricks: Chansons & Melodies by Barbara Hendricks. In terms of popularity, Martini: Plaisir d'amour is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Martini: Plaisir d'amour by Jean-Paul-Égide Martini, Barbara Hendricks, Michel Dalberto is Andante (at a walking pace), since this song has a tempo of 101 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Chopin / Orch. Elgar: Piano Sonata No. 2 in B-Flat Minor, Op. 35 "Funeral March": III. Marche funèbre. Lento | Frédéric Chopin, London Philharmonic Orchestra, Sir Adrian Boult | E Major | 4 | 12B | 79 BPM | ||
Rigoletto / Act 1: "Gualtier Maldè...Caro nome" | Giuseppe Verdi, Dame Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli | E Major | 0 | 12B | 85 BPM | ||
Messe de Requiem: Liber scriptus | Jean-Paul-Égide Martini, Markus Simon, La Banda, Wolfgang Riedelbauch | E♭ Major | 1 | 5B | 73 BPM | ||
Serse / Act 1, HWV 40: "Ombra mai fu" | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | E Major | 2 | 12B | 175 BPM | ||
I puritani: Qui la voce sua soave | Vincenzo Bellini, Luba Orgonasova, Symfonický orchester Slovenského rozhlasu, Will Humburg | A♭ Major | 1 | 4B | 103 BPM | ||
Norma, Act I: "Casta diva" | Vincenzo Bellini, Leontyne Price, Henry Lewis | F Major | 1 | 7B | 178 BPM | ||
Now, O Now I Needs Must Part | John Dowland, Simone Kermes, Enrico Casazza | G Major | 1 | 9B | 83 BPM | ||
La Traviata - Act. Iii - Addio Del Passato | Renata Scotto | A Minor | 1 | 8A | 72 BPM | ||
Poulenc: Dialogues des Carmélites, FP 159, Act 3 Tableau 4: "Salve Regina" (La Foule, Les Carmélites) | Francis Poulenc, José van Dam, Kent Nagano, Orchestre De L'Opéra National De Lyon | G Minor | 1 | 6A | 89 BPM | ||
Jocelyn, Suite No. 2: Berceuse | Benjamin Godard, Slovak Radio Symphony Orchestra, Ondrej Lenard | F Major | 0 | 7B | 92 BPM |