"Romantisches Klavierkonzert in E Major: II. Nicht zu langsam. Andante affettuoso" by Joseph Marx, BBC Scottish Symphony Orchestra, Marc-André Hamelin, Osmo Vänskä was released on February 1, 1998. Romantisches Klavierkonzert in E Major: II. Nicht zu langsam. Andante affettuoso appears to be safe for all ages as it is not explicit. The track order of this song in Marc-André Hamelin, Joseph Marx, BBC Scottish Symphony Orchestra, Erich Wolfgang Korngold, Osmo Vänskä's "Korngold & Marx: Piano Concertos (Hyperion Romantic Piano Concerto 18)" album is number 2 out of 13. On top of that, United Kingdom appears to be the country where this track was created. Romantisches Klavierkonzert in E Major: II. Nicht zu langsam. Andante affettuoso is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Romantisches Klavierkonzert in E Major: II. Nicht zu langsam. Andante affettuoso by Joseph Marx, BBC Scottish Symphony Orchestra, Marc-André Hamelin, Osmo Vänskä to be Larghetto (rather broadly) because the track has a tempo of 66 テンポ, a half-time of 33テンポ, and a double-time of 132 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schwanengesang, D.957: Ihr Bild | Franz Schubert, Dietrich Fischer-Dieskau, Alfred Brendel | E Major | 0 | 12B | 108 BPM | ||
Puts: The Hours, Act 2: "Did It Matter Then, She Asked Herself" (Laura, Virginia) [Live] | Kevin Puts, Yannick Nézet-Séguin, Joyce DiDonato, Kelli O'Hara, Metropolitan Opera Orchestra | A Major | 1 | 11B | 79 BPM | ||
5 Lieder, Op. 47: No. 1, Botschaft | Johannes Brahms, Elly Ameling, Dalton Baldwin | E Minor | 0 | 9A | 182 BPM | ||
Lasciatemi morire! | Claudio Monteverdi, Holly Bewlay, Sarah Rhee | D Minor | 1 | 7A | 83 BPM | ||
Gurre-Lieder / Part 1: 3. "O, wenn des Mondes Strahlen" | Arnold Schoenberg, Jessye Norman, Boston Symphony Orchestra, Seiji Ozawa | D♭ Major | 1 | 3B | 86 BPM | ||
Carnival of the Animals: V. Tortoises | Peter Schickele, Camille Saint-Saëns, Atlanta Symphony Orchestra, Yoel Levi, Ralph Markham, Kenneth Broadway | G Major | 0 | 9B | 113 BPM | ||
Le charme Op. 2 N°2 | Ernest Chausson, Susan Manoff, Sandrine Piau | G Major | 0 | 9B | 93 BPM | ||
Relâche, Pt. 1: No. 3, Entrée de la femme | Erik Satie, Ronald Corp, New London Orchestra | D Minor | 2 | 7A | 131 BPM | ||
Katya Kabanova, JW I/8, Act I Scene 1: Intermezzo I | Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra | F♯ Major | 0 | 2B | 83 BPM | ||
Cinderella: 7. Cinderella, once more sitting by the fireside | Eric Coates, BBC Philharmonic Orchestra, John Wilson | G Major | 0 | 9B | 148 BPM |