"Strathclyde Motets: Benedicimus Deum caeli" by James MacMillan, Harry Christophers, The Sixteen was released on October 31, 2011. The duration of Strathclyde Motets: Benedicimus Deum caeli is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Strathclyde Motets: Benedicimus Deum caeli's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in James MacMillan, The Sixteen, Harry Christophers's "James MacMillan: Miserere" album is number 10 out of 13. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Strathclyde Motets: Benedicimus Deum caeli's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Strathclyde Motets: Benedicimus Deum caeli by James MacMillan, Harry Christophers, The Sixteen to be Allegro (fast, quick, and bright) because the track has a tempo of 130 テンポ, a half-time of 65テンポ, and a double-time of 260 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite on English Folk Tunes: "A Time There Was", Op. 90: I. Cakes and Ale | Benjamin Britten, Britten Sinfonia, James MacMillan | F Minor | 0 | 4A | 93 BPM | ||
HFTEPX | KNOXVILLETRACKZ | D Minor | 0 | 7A | 65 BPM | ||
Dum transisset sabbatum | John Taverner, Alamire, David Skinner | E♭ Minor | 3 | 2A | 79 BPM | ||
Hawley: Seven Madrigals, Io Son la Primavera | Chanticleer | D Minor | 1 | 7A | 72 BPM | ||
Ave verum corpus in E-Flat Major | Camille Saint-Saëns, Convivium Singers, Neil Ferris | D♭ Major | 0 | 3B | 81 BPM | ||
St Anne’s Mass: IV. Agnus Dei | James MacMillan, Cappella Nova, Alan Tavener | F Major | 0 | 7B | 64 BPM | ||
Burial Sentences: III. We Brought Nothing Into This World | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | F Minor | 0 | 4A | 88 BPM | ||
Spotless Rose | Ola Gjeilo, Jennifer Halliday, Lucy Hole, Alexandra Meakem, Westminster Williamson Voices, James Jordan | G Major | 2 | 9B | 79 BPM | ||
I Will Wash My Hands in Innocency | Edward Bairstow, The Choir of York Minster, Robert Sharpe | B Major | 2 | 1B | 0 BPM | ||
Good Night, Dear Heart | Dan Forrest, Seraphic Fire, Patrick Dupre Quigley | B Major | 1 | 1B | 126 BPM |