Antonio Vivaldi, Accademia Bizantina, Ottavio Dantone, Silke Gäng, Emőke Baráth, Arianna Vendittelli's 'Il Giustino, RV 717, Act II, Scene 12: Tutto pieno di gioia rida il brio sul volto (Anastasio, Arianna, Amanzio)' came out on November 16, 2018. With Il Giustino, RV 717, Act II, Scene 12: Tutto pieno di gioia rida il brio sul volto (Anastasio, Arianna, Amanzio) being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vivaldi: Il Giustino by Antonio Vivaldi, Ottavio Dantone, Accademia Bizantina, Delphine Galou. The song's track number on the album is #29 out of 97 tracks. In terms of popularity, Il Giustino, RV 717, Act II, Scene 12: Tutto pieno di gioia rida il brio sul volto (Anastasio, Arianna, Amanzio) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Il Giustino, RV 717, Act II, Scene 12: Tutto pieno di gioia rida il brio sul volto (Anastasio, Arianna, Amanzio) by Antonio Vivaldi, Accademia Bizantina, Ottavio Dantone, Silke Gäng, Emőke Baráth, Arianna Vendittelli has a tempo of 113 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Il Giustino, RV 717, Act II, Scene 12: Tutto pieno di gioia rida il brio sul volto (Anastasio, Arianna, Amanzio) being at 113 テンポ, the half-time would be 56 テンポ with a double-time of 226 テンポ.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 5/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM | ||
Piccolo Concerto in A Minor, RV 445: III. Allegro | Antonio Vivaldi, Gunilla von Bahr, Eva Nordenfelt, Wille Sundling, Jan-Olav Wedin, Lars Jonsson, Lars-Olof Bergström, Sten Westling | G Major | 0 | 9B | 130 BPM | ||
Concerto for Oboe, Violin, Strings and Continuo in B Flat Major, RV 548: II. Largo | Antonio Vivaldi, David Reichenberg, Simon Standage, The English Concert, Trevor Pinnock | F♯ Minor | 0 | 11A | 80 BPM | ||
Recorder Concerto in C Major, TWV 51:C1: IV. Tempo di Minuet | Georg Philipp Telemann, Dan Laurin, Arte dei Suonatori | B Major | 2 | 1B | 141 BPM | ||
Moses Fantasy | Niccolò Paganini, Nemanja Radulović | C Major | 1 | 8B | 100 BPM | ||
9 Studies: No. 1. Allegro agitato | Charles-Auguste de Bériot, Bella Hristova | G Major | 1 | 9B | 129 BPM | ||
Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings) | Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | G Minor | 1 | 6A | 77 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act I: No. 2, Waltz | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | A Major | 1 | 11B | 105 BPM | ||
Lully : Ballet des Muses : "Trop indiscret Amour" [Euridice] | Jean-Baptiste Lully, William Christie, Les Arts Florissants | F Minor | 1 | 4A | 71 BPM | ||
Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle | E Minor | 1 | 9A | 102 BPM |