"Dies iræ, S. 31: Pie Jesu Domine" by Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé was released on February 4, 2022. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé's "Michel-Richard de Lalande: Grands Motets, Dies irae, Miserere, Veni creator" album is number 12 out of 38. On top of that, France appears to be the country where this track was created. Based on our statistics, Dies iræ, S. 31: Pie Jesu Domine's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Dies iræ, S. 31: Pie Jesu Domine by Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé to be Allegro (fast, quick, and bright) because the track has a tempo of 128 テンポ, a half-time of 64テンポ, and a double-time of 256 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Armide, LWV 71, Prologue: Ouverture (II) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique | F Minor | 1 | 4A | 111 BPM | ||
The Triumphs of Hibernia: Let Earth and Air and Ocean | Niccolò Pasquali, Rachel Redmond, Peter Whelan, Irish Baroque Orchestra | D♭ Minor | 1 | 12A | 148 BPM | ||
Gloria, ZWV 30: V. Qui sedes | Jan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Vaclav Luks | E Major | 1 | 12B | 84 BPM | ||
Membra Jesu nostri, BuxWV 75: VIIc. Ad faciem: Dum me mori est necesse | Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego Fasolis | F♯ Minor | 2 | 11A | 100 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": A Pastoral Dialogue Betwixt Thrsis and Iris (Bass, Soprano) | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | A Major | 0 | 11B | 130 BPM | ||
Maddalena ai piedi di Cristo: No. 15 Recitativo Marta, Maddalena "Germana, al ciel, deh, volgi" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Maria Cristina Kiehr | A♭ Major | 1 | 4B | 0 BPM | ||
Te deum, LWV 55: VII. Tu ad dexteram Dei sedes | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Begl’occhi, oh Dio, non più: Per te, mia vita, moro | Agostino Steffani, Lea Desandre, Cenacolo Musicale | D♭ Minor | 1 | 12A | 100 BPM | ||
Overture No. 2 in D major: 3. Presto | Johann Christian Bach, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 2 | 3B | 125 BPM | ||
Les Éléments, S.153, Acte III "Le Feu", Premier et deuxième air pour les Prêtresses | Andre Cardinal Destouches, Michel Richard Delalande, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | B Minor | 1 | 10A | 98 BPM |