Bach, JS: Mass in B Minor, BWV 232: Qui sedes ad dexteram Patris

Johann Sebastian Bach, Nikolaus Harnoncourt, Helen Watts, Concentus Musicus Wien
Bach: Mass in B Minor, BWV 232
5:02 1968年1月1日
テンポ
81
キー
B♭ Minor
キャメロットミュージックキー
3A

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共有

Bach, JS: Mass in B Minor, BWV 232: Qui sedes ad dexteram Patris - Johann Sebastian Bach, Nikolaus Harnoncourt, Helen Watts, Concentus Musicus Wien 情報

音響性
94%
ダンサビリティ
22%
エネルギー
12%
手段性
9%
活気
8%
ラウドネス
66%
話し言葉
5%
価数
34%
人気
ラウドネス
-20.194 dB

まとめ

Johann Sebastian Bach, Nikolaus Harnoncourt, Helen Watts, Concentus Musicus Wien's 'Bach, JS: Mass in B Minor, BWV 232: Qui sedes ad dexteram Patris' had a release date set for January 1, 1968. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 10 out of 26 in Bach: Mass in B Minor, BWV 232 by Johann Sebastian Bach, Nikolaus Harnoncourt, Concentus Musicus Wien. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Bach, JS: Mass in B Minor, BWV 232: Qui sedes ad dexteram Patris is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Bach, JS: Mass in B Minor, BWV 232: Qui sedes ad dexteram Patris テンポ

The tempo marking of Bach, JS: Mass in B Minor, BWV 232: Qui sedes ad dexteram Patris by Johann Sebastian Bach, Nikolaus Harnoncourt, Helen Watts, Concentus Musicus Wien is Andante (at a walking pace), since this song has a tempo of 81 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Bach, JS: Mass in B Minor, BWV 232: Qui sedes ad dexteram Patris キー

This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

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ISRC
DEA800115153
レコードレーベル
L-M Records/RCA Records