"Kraanerg: Tape Entrance 3" by Iannis Xenakis, Callithumpian Consort, Stephen Drury was released on May 27, 2008. The duration of Kraanerg: Tape Entrance 3 is about 3 minutes long, at 3:04. Based on our data, "Kraanerg: Tape Entrance 3" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Xenakis: Kraanerg by Iannis Xenakis, Callithumpian Consort, Stephen Drury. The song's track number on the album is #4 out of 21 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Kraanerg: Tape Entrance 3's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Kraanerg: Tape Entrance 3 by Iannis Xenakis, Callithumpian Consort, Stephen Drury has a tempo of 130 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Kraanerg: Tape Entrance 3 being at 130 テンポ, the half-time would be 65 テンポ with a double-time of 260 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 7: Scurrying, Forceful, Intense | Ben Johnston, Kepler Quartet | G Major | 4 | 9B | 86 BPM | ||
Piano Distance | Toru Takemitsu, Kotaro Fukuma | F Major | 0 | 7B | 137 BPM | ||
Cello Suite No. 1 in G Major, BWV 1007: I. Prelude - Arr. for Marimba | Johann Sebastian Bach, Kuniko | F♯ Major | 1 | 2B | 63 BPM | ||
Hibiki hana ma | Iannis Xenakis | A Major | 8 | 11B | 127 BPM | ||
Orbits for Clarinet Solo: I. First Movement | Charles Camilleri, David Campbell, Godfrey Mifsud, Susanne Stanzeleit, Julian Jacobson | D Minor | 0 | 7A | 75 BPM | ||
Kala | Akira Nishimura, Keiko Abe, Kroumata Percussion Ensemble | C Major | 1 | 8B | 114 BPM | ||
Scene 4 | Michael Galasso | G Minor | 1 | 6A | 76 BPM | ||
Nebenstück | Gérard Pesson, Ensemble Recherche | C Major | 0 | 8B | 100 BPM | ||
Lento in due movimenti: I. Adagio | Toru Takemitsu, Kotaro Fukuma | F Minor | 0 | 4A | 137 BPM | ||
Orient Express Overture | Mitar Popescu | A♭ Major | 0 | 4B | 91 BPM |