"O Filii et Filiae" by Anonymous, Pierre Cochereau, Jehan Revert, Maîtrise de Notre-Dame de Paris, Léon Souberbielle, Jacques Marichal was released on 1977. With this song being about 5 minutes long, at 4:51, "O Filii et Filiae" by Anonymous, Pierre Cochereau, Jehan Revert, Maîtrise de Notre-Dame de Paris, Léon Souberbielle, Jacques Marichal is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Pierre Cochereau, Jehan Revert, Maîtrise de Notre-Dame de Paris, Léon Souberbielle, Jacques Marichal's "Great Hours of Liturgy at Notre-Dame in Paris" album is number 4 out of 15. On top of that, France appears to be the country where this track was created. O Filii et Filiae is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of O Filii et Filiae by Anonymous, Pierre Cochereau, Jehan Revert, Maîtrise de Notre-Dame de Paris, Léon Souberbielle, Jacques Marichal to be Adagio (slowly with great expression) because the track has a tempo of 71 テンポ, a half-time of 36テンポ, and a double-time of 142 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Blessed Is The Man Who Seeks No Councel Among The Impious | "The Orthodox Singers" Male Choir, Georgiy Smirnov | F Major | 0 | 7B | 127 BPM | ||
O mater sempter alma | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | D Minor | 0 | 7A | 79 BPM | ||
Sanctum Et Immaculata | Monks Of The Abbey Of Notre Dame | E Minor | 0 | 9A | 101 BPM | ||
With Prayer and Supplicaton | Amy Beach, Capitol Hill Choral Society, Paul Hardy, Betty Buchanan | F♯ Minor | 1 | 11A | 108 BPM | ||
Making or Breaking | Kim André Arnesen, Wendi Sue Grover, Kantorei, John Gunther, Joel Rinsema | D Major | 1 | 10B | 90 BPM | ||
Salmo VI del Oficio de difuntos | Isaac Albéniz, Tansy Castledine, Carlos Fernandez Aransay | F Minor | 1 | 4A | 132 BPM | ||
Audi Filia | Monks Of The Abbey Of Notre Dame | F Minor | 1 | 4A | 133 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: XII. Amen and with Thy Spirit | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | D Minor | 1 | 7A | 75 BPM | ||
Cantate Domino canticum novum | Hans Leo Hassler, Voices of Ascension Chorus, Dennis Keene | D Major | 1 | 10B | 128 BPM | ||
St. Matthew Passion, BWV 244, Pt. 1 (Excerpts): No. 54, O Sacred Head Surrounded by Crown of Piercing Thorn! [Arr. for Choir] | Johann Sebastian Bach, The Bach Choir, David Hill | A Minor | 1 | 8A | 162 BPM |