On 1979, the song "Don Giovanni, K. 527: Riposate, vezzose ragazze" was released by Wolfgang Amadeus Mozart, Ruggero Raimondi, José van Dam, Malcolm King, Teresa Berganza, Lorin Maazel. With Don Giovanni, K. 527: Riposate, vezzose ragazze being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Wolfgang Amadeus Mozart, Lorin Maazel's "Mozart: Don Giovanni, K. 527" album is number 11 out of 71. Based on our statistics, Don Giovanni, K. 527: Riposate, vezzose ragazze's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Don Giovanni, K. 527: Riposate, vezzose ragazze by Wolfgang Amadeus Mozart, Ruggero Raimondi, José van Dam, Malcolm King, Teresa Berganza, Lorin Maazel to be Allegro (fast, quick, and bright) because the track has a tempo of 141 テンポ, a half-time of 70テンポ, and a double-time of 282 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le nozze di Figaro, K.492 / Act 2: "Voi signor, che giusto siete" | Wolfgang Amadeus Mozart, Boje Skovhus, Cheryl Studer, Sylvia McNair, Anna Caterina Antonacci, Carlo Allemano, Ildebrando D'Arcangelo, Lucio Gallo, Wiener Philharmoniker, Claudio Abbado | G Major | 2 | 9B | 122 BPM | ||
Don Giovanni, K. 527: Or che tutti, o mio tesoro / Al desio di chi t'adoro / Resti dunque quel birbon | Wolfgang Amadeus Mozart, Kenneth Riegel, Edda Moser, Kiri Te Kanawa, Teresa Berganza, Malcolm King, José van Dam, Lorin Maazel | D Major | 2 | 10B | 73 BPM | ||
L'italiana in Algeri / Act 1: Dite: chi è quella femmina? | Gioachino Rossini, Giuliana Tavolaccini, Miti Truccato Pace, Teresa Berganza, Luigi Alva, Rolando Panerai, Fernando Corena, Paolo Montarsolo, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Silvio Varviso | C Minor | 2 | 5A | 82 BPM | ||
Le Nozze di Figaro, Act 1: Ah! Son perduto! | Wolfgang Amadeus Mozart, Kathleen Battle, Riccardo Muti, Wiener Philharmoniker | D Major | 1 | 10B | 171 BPM | ||
Tosca / Act II: "Sciarrone: che dice il cavalier?" | Giacomo Puccini, Katia Ricciarelli, José Carreras, Ruggero Raimondi, Victor von Halem, Berliner Philharmoniker, Herbert von Karajan | G Minor | 1 | 6A | 75 BPM | ||
Ch'io mi scordi di te?... Non temer, amato bene, K. 490 | Wolfgang Amadeus Mozart, Cecilia Bartoli, Maxim Vengerov, Kammerorchester Basel, Muhai Tang | B♭ Major | 2 | 6B | 124 BPM | ||
La Cenerentola / Act 1: "O figlie amabili" | Gioachino Rossini, Margherita Guglielmi, Laura Zannini, Teresa Berganza, Ugo Trama, London Symphony Orchestra, Claudio Abbado, Scottish Opera Chorus, Arthur Oldham | F Major | 2 | 7B | 86 BPM | ||
Aida / Act 2: Che veggo!...Egli?...Mio padre! | Giuseppe Verdi, Katia Ricciarelli, Elena Obraztsova, Leo Nucci, Ruggero Raimondi, Nicolai Ghiaurov, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | A♭ Major | 0 | 4B | 81 BPM | ||
Le nozze di Figaro, K.492 / Act 1: Recitativo: “Cos’è questa commedia?” | Wolfgang Amadeus Mozart, Thomas Hampson, Luca Pisaroni, Christiane Karg, Jory Vinikour | E♭ Major | 2 | 5B | 124 BPM | ||
Il Barbiere di Siviglia (1996 Digital Remaster): Ehi, di casa, buona gente (Conte/Bartolo/Rosina/Berta/Basilio/Figaro) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | C Major | 2 | 8B | 111 BPM |