"Serenade, Op. 30: II. Andante" by Albert Roussel, Wilhelm Schwegler, Helga Storck, Endres Quartet was released on January 1, 1992. Since Serenade, Op. 30: II. Andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 9 out of 10 in Dittersdorf, Ravel & Others: Works for Harp by Helga Storck. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Serenade, Op. 30: II. Andante's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Serenade, Op. 30: II. Andante by Albert Roussel, Wilhelm Schwegler, Helga Storck, Endres Quartet is Allegro (fast, quick, and bright), since this song has a tempo of 127 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto (1915 Version) | Jean Sibelius, San Francisco Symphony, Esa-Pekka Salonen | E♭ Major | 1 | 5B | 76 BPM | ||
Respighi: Pines of Rome P. 141: The Pines of Janiculum | Ottorino Respighi, San Francisco Symphony, Esa-Pekka Salonen | B Major | 0 | 1B | 95 BPM | ||
Bacchus et Ariane, Op. 43, Act I: No. 3, Danse du labyrinthe | Albert Roussel, Yan Pascal Tortelier, BBC Philharmonic | E Minor | 2 | 9A | 94 BPM | ||
Valses nobles et sentimentales, M. 61 (1912 Version for Orchestra): No. 4, Assez animé | Maurice Ravel, Basque National Orchestra, Robert Trevino | C Major | 0 | 8B | 82 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25 "Classical": II. Larghetto | Sergei Prokofiev, Aziz Shokhakimov, Orchestre Philharmonique De Strasbourg | D Minor | 1 | 7A | 105 BPM | ||
Violin Concerto: III. Electric | Christopher Schmitz, Amy Schwartz Moretti, London Symphony Orchestra, Stefan Sanderling | D Minor | 1 | 7A | 89 BPM | ||
Concerto for Cello and Wind Orchestra: II. Romance | Jacques Ibert, Ernst Simon Glaser, Norwegian Navy Band Bergen, Peter Szilvay | A Minor | 0 | 8A | 82 BPM | ||
Ravel: Alborada del Gracioso, M. 43 No. 4 | Maurice Ravel, Riccardo Muti, Philadelphia Orchestra | D Major | 1 | 10B | 123 BPM | ||
5 Pieces for String Quartet (Arr. for Orchestra by Manfred Honeck & Tomás Ille): No. 1, Alla valse Viennese. Allegro | Erwin Schulhoff, Pittsburgh Symphony Orchestra, Manfred Honeck | A♭ Major | 0 | 4B | 95 BPM | ||
Pulcinella Suite: IV. Tarantella | Igor Stravinsky, Pablo Heras-Casado, Mahler Chamber Orchestra | C Major | 0 | 8B | 140 BPM |