"Fac Ut Portem" by Andreas Scholl was released on November 1, 2010. The duration of Fac Ut Portem is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Fac Ut Portem's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Andreas Scholl's "Marco Rosano: Stabat Mater" album is number 10 out of 13. On top of that, Turks and Caicos Islands appears to be the country where this track was created. Fac Ut Portem is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Fac Ut Portem by Andreas Scholl to be Adagio (slowly with great expression) because the track has a tempo of 67 テンポ, a half-time of 34テンポ, and a double-time of 134 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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L'incoronazione di Poppea, SV 308 / Act 3: Pur ti miro | Claudio Monteverdi, Magdalena Kozená, Anna Prohaska, La Cetra Barockorchester Basel, Andrea Marcon | G Major | 0 | 9B | 78 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Minor | 2 | 10A | 64 BPM | ||
Sancta Mater | Andreas Scholl | D Major | 1 | 10B | 73 BPM | ||
Stabat Mater: Quis est homo qui non fleret…. Quis non posset | Agostino Steffani, Franco Fagioli, Daniel Behle, I Barocchisti, Diego Fasolis | G Minor | 1 | 6A | 77 BPM | ||
Salve Regina in F minor: 3. Eia ergo, advocata nostra | Giovanni Battista Pergolesi, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | F♯ Minor | 2 | 11A | 78 BPM | ||
À la fin cette bergère | Antoine Boësset, Claire Lefilliâtre, Bruno Le Levreur, Jean-François Novelli, Arnaud Marzorati, Le Poème Harmonique, Vincent Dumestre | C Major | 1 | 8B | 128 BPM | ||
Messa da Requiem: VII Requiem aeternam | Cesar Hernandez, Hungarian State Opera Orchestra, Elena Filipova, Hungarian State Opera Chorus, Gloria Scalchi, Carlo Colombara | E Major | 6 | 12B | 115 BPM | ||
Dido and Aeneas, Z. 626: Act III: Dido: Thy hand, Belinda; darkness shades me | Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble | G Major | 0 | 9B | 179 BPM | ||
Ascanio in Alba, KV 111 / Part 2: "Al mio ben mi veggio avanti" | Wolfgang Amadeus Mozart, Andreas Scholl, Orchestra of the Age of Enlightenment, Sir Roger Norrington | E♭ Major | 1 | 5B | 81 BPM | ||
Rusalka, Op. 114, B. 203, Act I: Lieblicher Mond (Song to the Moon) | Antonín Dvořák, Emalie Savoy, Brandenburg State Orchestra Frankfurt, Matthias Foremny | F♯ Major | 1 | 2B | 63 BPM |