"Prince Igor, Act II: Polovtsian Dances, Dance V" by Alexander Borodin, Choir of Mariinsky Theatre, Saint Petersburg, Paavo Järvi, Orchestre Philharmonique de Radio France was released on March 9, 2018. With this song being about 5 minutes long, at 5:18, "Prince Igor, Act II: Polovtsian Dances, Dance V" by Alexander Borodin, Choir of Mariinsky Theatre, Saint Petersburg, Paavo Järvi, Orchestre Philharmonique de Radio France is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 5 in Borodin Polovstian Dances (from "Prince Igor") by Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France. In terms of popularity, Prince Igor, Act II: Polovtsian Dances, Dance V is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Prince Igor, Act II: Polovtsian Dances, Dance V by Alexander Borodin, Choir of Mariinsky Theatre, Saint Petersburg, Paavo Järvi, Orchestre Philharmonique de Radio France is Moderato (at a moderate speed), since this song has a tempo of 109 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
El sombrero de tres picos, Pt. 1: III. Danza de la molinera | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 121 BPM | ||
Khachaturian: Suite from Masquerade: I. Waltz | Aram Khachaturian, Orchestre Philharmonique de Radio France, Paavo Järvi | C Major | 3 | 8B | 96 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance IV | Alexander Borodin, Choir of Mariinsky Theatre, Saint Petersburg, Paavo Järvi, Orchestre Philharmonique de Radio France | G Major | 3 | 9B | 105 BPM | ||
Kreisler: Schön Rosmarin | Fritz Kreisler, Itzhak Perlman | G Major | 2 | 9B | 117 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
Requiem | Alexander Borodin, Philharmonia Orchestra, BBC Symphony Chorus, Ian Boughton, Geoffrey Simon | A Minor | 1 | 8A | 60 BPM | ||
Sorochintsi Fair, Act I: Gopak (Hopak) | Modest Mussorgsky, Slovak Philharmonic, Kenneth Jean | G Major | 2 | 9B | 127 BPM | ||
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, David Zinman | C Minor | 0 | 5A | 173 BPM | ||
Les biches Suite, FP 36b: I. Rondeau | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | C Major | 1 | 8B | 79 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus": "Veni creator spiritus" | Gustav Mahler, Vienna State Opera Chorus, Wiener Singverein, Chicago Symphony Orchestra, Sir Georg Solti | A♭ Major | 5 | 4B | 132 BPM |