"Transcendental Symphony Part IV. Finale 1: 'Atrocities'" by Taipei New Dynasty Philharmonic & Chorus was released on 2005. Since Transcendental Symphony Part IV. Finale 1: 'Atrocities' is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Ritzen: Heavenly Peace Transcendental Symphony (World Premiere Recording)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Taiwan. Based on our statistics, Transcendental Symphony Part IV. Finale 1: 'Atrocities''s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Transcendental Symphony Part IV. Finale 1: 'Atrocities' by Taipei New Dynasty Philharmonic & Chorus having a テンポ of 133 with a half-time of 66 テンポ and a double-time of 266 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Songs of the Fleet, Op. 117: II. The Song of the Sou'Wester | Charles Villiers Stanford, Richard Hickox, BBC National Orchestra Of Wales, Gerald Finley, BBC National Chorus of Wales | C Minor | 3 | 5A | 112 BPM | ||
The Sleeping Beauty, Op.66, TH.13 / Act 2: 19. Entr'acte symphonique - Scène (Aurora's sleep) | Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti | C Major | 0 | 8B | 144 BPM | ||
Pavane Op. 50 | Gabriel Fauré, Netherlands Chamber Choir, Limburg Symphony Orchestra, Ed Spanjaard | F♯ Minor | 0 | 11A | 97 BPM | ||
Notre Dame: Intermezzo | Franz Schmidt, Frankfurt Radio Symphony Orchestra, Paavo Järvi | D♭ Major | 2 | 3B | 112 BPM | ||
Boccaccio: Ouvertüre | Franz von Suppé, Riccardo Muti, Wiener Philharmoniker | C Major | 3 | 8B | 142 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Gerettet ist das edle Glied" | Gustav Mahler, Wiener Singverein, Vienna State Opera Chorus, Vienna Boys' Choir, Chicago Symphony Orchestra, Sir Georg Solti | F Major | 1 | 7B | 85 BPM | ||
Cavalleria rusticana: "O lola ch'ai di latti la cammisa" (Siciliana) | Pietro Mascagni, Luciano Pavarotti, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 1 | 7B | 168 BPM | ||
Symphonic Art | Ludwig van Beethoven, Staatskapelle Dresden, Herbert Blomstedt | B♭ Major | 0 | 6B | 172 BPM | ||
ダッタン人の踊り (歌劇 イーゴリ公より) 7 少年たちの踊りと男たちの踊り | Alexander Borodin, Ken-Ichiro Kobayashi, Arnhem Philharmonic Orchestra | B♭ Major | 2 | 6B | 97 BPM | ||
Mascagni: Intermezzo | Pietro Mascagni, Francesco Cilluffo, Wexford Festival Opera Chorus & Orchestra | B♭ Major | 0 | 6B | 66 BPM |