Antonio Salieri, József Gregor, Mária Zempléni, Dénes Gulyás, Istvan Gati, Eva Panczel, Tamas Csurja, Eva Vamossy, Salieri Chamber Chorus, Salieri Chamber Orchestra, Tamas Pal's 'Falstaff: Act II Scene 15: Aria: Ah, ch'a idea cosi gradita (Ford)' came out on July 15, 2014. With Falstaff: Act II Scene 15: Aria: Ah, ch'a idea cosi gradita (Ford) being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 86 in the song's album "Salieri: Falstaff". In this album, this song's track order is #22. Furthermore, we believe that the track originated from Hungary. Falstaff: Act II Scene 15: Aria: Ah, ch'a idea cosi gradita (Ford) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Falstaff: Act II Scene 15: Aria: Ah, ch'a idea cosi gradita (Ford) by Antonio Salieri, József Gregor, Mária Zempléni, Dénes Gulyás, Istvan Gati, Eva Panczel, Tamas Csurja, Eva Vamossy, Salieri Chamber Chorus, Salieri Chamber Orchestra, Tamas Pal having a テンポ of 89 with a half-time of 44 テンポ and a double-time of 178 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 150 BPM | ||
Concerto Grosso in A Minor, Op. 3/6, RV 356: I. Allegro | Antonio Vivaldi, Simon Standage, The English Concert, Trevor Pinnock | A♭ Minor | 2 | 1A | 109 BPM | ||
Symphony in D Major, Op. 18, No. 2: IV. Allegro assai | Muzio Clementi, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 146 BPM | ||
Water Music, Suite No. 1, HWV 348: Water Music, Suite No. 1, HWV 348: VI. Air | George Frideric Handel, Akademie für Alte Musik Berlin | E Major | 0 | 12B | 141 BPM | ||
Violin Concerto in D Major, RV 228: I. Allegro non troppo ma vigoroso | Antonio Vivaldi, Marco Fornaciari, Accademia I Filarmonici, Alberto Martini | D Major | 2 | 10B | 123 BPM | ||
Symphony in D Major, Op. 18, No. 2: I. Grave - Allegro assai | Muzio Clementi, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 79 BPM | ||
Piano Concerto No.2 In F Minor, Op.21: 3. Allegro vivace | Frédéric Chopin, Krystian Zimerman, Polish Festival Orchestra | B♭ Minor | 2 | 3A | 107 BPM | ||
Oboe Concerto in A Major (arr. J. Barbirolli): V. Giga | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | F Major | 0 | 7B | 104 BPM | ||
Concerto in D major for Violin, Oboe, Violoncello and Orchestra: 2. Cantabile | Antonio Salieri, Heinz Holliger, Thomas Füri, Thomas Demenga, Camerata Bern | G Major | 1 | 9B | 86 BPM | ||
Violin Concerto No. 1 in A minor, BWV 1041: III. Allegro assai | Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga Watts | A Minor | 4 | 8A | 123 BPM |