"Ay Ay Ay" by José Carreras was released on February 24, 1988. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Recital de Canciones". In this album, this song's track order is #7. Ay Ay Ay is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ay Ay Ay by José Carreras having a テンポ of 65 with a half-time of 32 テンポ and a double-time of 130 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cats: Memory | José Carreras, Robert Farnon And His Orchestra | E♭ Major | 2 | 5B | 93 BPM | ||
Sorozábal : No puede ser | Pablo Sorozábal, José Carreras, Enrique Ricci, English Chamber Orchestra | F♯ Major | 2 | 2B | 72 BPM | ||
The Bohemian Girl - Arr. By Karel Mark Chichon: I Dreamt I Dwelt In Marble Halls | Michael William Balfe, Elina Garanca, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon | D Major | 1 | 10B | 87 BPM | ||
Bachianas brasileiras No. 5: Ária (Cantilena) | Heitor Villa-Lobos, Anna Moffo, Leopold Stokowski, American Symphony Orchestra | A Minor | 2 | 8A | 119 BPM | ||
Pedro Y El Lobo (Peter and the Wolf): "El abuelo, fumando su pipa, salió de la casa..." - Narration in Spain | Sergei Prokofiev, Chamber Orchestra of Europe, Claudio Abbado, José Carreras | D Major | 2 | 10B | 84 BPM | ||
Nabucco: Va, pensiero, sull'ali dorate (Chorus of the Hebrew Slaves) | Renato Cellini, Robert Shaw | A♭ Major | 1 | 4B | 168 BPM | ||
Pedro Y El Lobo (Peter and the Wolf): "Tan pronto como Pedro se hubo marchado..." - Narration in Spain | Sergei Prokofiev, Chamber Orchestra of Europe, Claudio Abbado, José Carreras | D Major | 2 | 10B | 84 BPM | ||
Rosen aus dem Süden, Op. 388 | Johann Strauss II, Wiener Philharmoniker, Willi Boskovsky | F Major | 1 | 7B | 102 BPM | ||
'O sole mio | Eduardo di Capua, Alfredo Mazzucchi, José Carreras, Plácido Domingo, Luciano Pavarotti, Orchestra Del Teatro Dell'Opera Di Roma, Orchestra del Maggio Musicale Fiorentino, Zubin Mehta | A♭ Major | 5 | 4B | 85 BPM | ||
Rossini : La Cenerentola : Act 2 "Non più mesta accanto al fuoco" [Cenerentola, Clorinda, Tisbe, Dandini, Magnifico, Chorus] | Gioachino Rossini, Carlo Rizzi, Orchestra of the Royal Opera House, Covent Garden | E Major | 2 | 12B | 127 BPM |