On May 4, 2024, the song "Harmonies of the Eternal Night" was released by Milo Thorn. With This song being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. Because this song is the only song in Harmonies of the Eternal Night and no other songs are present in the album, we classify this track as a single. In terms of popularity, Harmonies of the Eternal Night is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Harmonies of the Eternal Night by Milo Thorn to be Andante (at a walking pace) because the track has a tempo of 95 テンポ, a half-time of 48テンポ, and a double-time of 190 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Come on Over | Flonger2080 | A Major | 7 | 11B | 166 BPM | ||
Drainpipe Diamond | Freddy Black & The Hotel Mosaic, Rachel Grace | A♭ Minor | 6 | 1A | 107 BPM | ||
The Days | Rupert Simpson | G Minor | 5 | 6A | 96 BPM | ||
Ultraviolet Utopia | Atlas Glint | G Minor | 4 | 6A | 164 BPM | ||
Call It What It Is | Samantha Kromphold | D Major | 7 | 10B | 90 BPM | ||
Seeing Light (Interlude 1) | Red Wanting Blue | G Major | 6 | 9B | 123 BPM | ||
Better Than Revenge | Sean Sawyer | B♭ Minor | 3 | 3A | 113 BPM | ||
Back To This | Púr Múdd | G Major | 5 | 9B | 101 BPM | ||
Pushed Into A Corner | Lil Saint James | B♭ Major | 6 | 6B | 114 BPM | ||
Lavender Haze | Kieron Tanner | C Major | 5 | 8B | 70 BPM |