On 2004, the song "Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.22 in B flat minor BWV891" was released by Daniel Barenboim. The duration of Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.22 in B flat minor BWV891 is about 3 minutes long, at 3:17. Based on our data, "Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.22 in B flat minor BWV891" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 91 out of 96 in Bach, JS : Well-Tempered Clavier Books 1 & 2 by Daniel Barenboim. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.22 in B flat minor BWV891 is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.22 in B flat minor BWV891 by Daniel Barenboim is Presto (very, very fast), since this song has a tempo of 180 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.1 in C major BWV870 | Daniel Barenboim | C Major | 1 | 8B | 181 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
Alcidiane: Chaconne des Maures | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | A Major | 0 | 11B | 80 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.14 in F sharp minor BWV859 | Daniel Barenboim | F♯ Minor | 0 | 11A | 75 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: III. Grave | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 0 | 6A | 94 BPM | ||
Overture in D Minor, TWV 55:2: Sarabande | Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire | G Minor | 1 | 6A | 102 BPM | ||
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM | ||
Suite en La: Quatrième double | Jean-Philippe Rameau, Alexandre Tharaud | C Major | 2 | 8B | 115 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 4 in C sharp minor, BWV 849 | Luc Beauséjour | C Minor | 3 | 5A | 103 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.18 in G sharp minor BWV863 | Daniel Barenboim | A♭ Minor | 0 | 1A | 90 BPM |