Carl Orff, Eduardo Mata, London Symphony Orchestra's 'Fortuna imperatrix mundi: O Fortuna' came out on December 12, 2008. The duration of Fortuna imperatrix mundi: O Fortuna is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Fortuna imperatrix mundi: O Fortuna's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "J'aime pas le classique mais ca j'aime bien" album is number 2 out of 45. Based on our statistics, Fortuna imperatrix mundi: O Fortuna's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Fortuna imperatrix mundi: O Fortuna by Carl Orff, Eduardo Mata, London Symphony Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 120 テンポ, a half-time of 60テンポ, and a double-time of 240 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gloria, R. 589: Et in terra pax hominibus | Antonio Vivaldi, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B♭ Minor | 1 | 3A | 59 BPM | ||
Tritsch-Tratsch Polka, Op. 214 | Nora Mercz, Johann Strauss II, Janos Balint | D Major | 1 | 10B | 76 BPM | ||
Dies Irae | Giuseppe Verdi, Sir Georg Solti, Chicago Symphony Orchestra | G Major | 6 | 9B | 78 BPM | ||
Prometheus: Scene 6: Welches Land? Welcher Stamm? (Io, Chorus, Prometheus, Chorfuhrerin) | Carl Orff, Roland Hermann, Colette Lorand, Erika Rüggeberg, Isolde Mitternacht, Julia Falk, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Rafael Kubelík | A Major | 1 | 11B | 95 BPM | ||
Purcell: Trumpet Sonata in D Major, Z. 850: II. Adagio | Henry Purcell, John Eliot Gardiner, David Blackadder, English Baroque Soloists | D♭ Minor | 0 | 12A | 103 BPM | ||
St. Paul's Suite, Op. 29 No. 2, H 118: 1. Jig: Vivace | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | C Major | 2 | 8B | 165 BPM | ||
Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): VI. Were diu werlt alle min (Were the world all mine) | John Krance, Carl Orff, Florida All-State Symphonic Band, Richard Clary | C Major | 3 | 8B | 74 BPM | ||
Music for the Royal Fireworks, HWV 351: IV. La rejouissance | George Frideric Handel, Le Concert Spirituel, Herve Niquet | D♭ Major | 4 | 3B | 107 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": I. Allegro | Antonio Vivaldi, Nigel Kennedy, English Chamber Orchestra | E Major | 2 | 12B | 113 BPM | ||
The Firebird Suite *: Danse infernale du roi Kastchei / King Kastchei's Infernal Dance | Igor Stravinsky, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | A Major | 4 | 11B | 152 BPM |