"8 Humoresques, Op. 101, B. 187: No. 7 Poco Lento e grazioso" by Antonín Dvořák, Anne-Sophie Mutter, Ayami Ikeba was released on January 1, 2013. The duration of 8 Humoresques, Op. 101, B. 187: No. 7 Poco Lento e grazioso is about 3 minutes long, at 3:12. Based on our data, "8 Humoresques, Op. 101, B. 187: No. 7 Poco Lento e grazioso" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 6 out of 6 in Dvořák by Antonín Dvořák, Anne-Sophie Mutter, Berliner Philharmoniker, Manfred Honeck. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. 8 Humoresques, Op. 101, B. 187: No. 7 Poco Lento e grazioso is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 8 Humoresques, Op. 101, B. 187: No. 7 Poco Lento e grazioso by Antonín Dvořák, Anne-Sophie Mutter, Ayami Ikeba is Andante (at a walking pace), since this song has a tempo of 86 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 5/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade for Strings in E, Op. 22: 2. Tempo di valse | Antonín Dvořák, Bavarian Radio Symphony Orchestra, Sir Colin Davis | F♯ Minor | 0 | 11A | 93 BPM | ||
Recuerdos de la Alhambra | Francisco Tárrega, Andrés Madariaga | D Major | 3 | 10B | 79 BPM | ||
Concerto in C Minor for Violin & Oboe, BWV 1060R: 3. Allegro | Johann Sebastian Bach, Janine Jansen, Ramon Ortega Quero, Boris Brovtsyn, Cindy Albracht, Frederik Paulsson, Julia-Maria Kretz, Tijmen Huisingh, Monika Urbonaite, Nimrod Guez, Pauline Sachse, Maarten Jansen, Rick Stotijn, Jan Jansen | G Major | 2 | 9B | 78 BPM | ||
Holberg Suite, Op. 40: I. Prelude (Version for Strings) | Edvard Grieg, Australian Chamber Orchestra, Richard Tognetti | G Major | 1 | 9B | 74 BPM | ||
4 Short Pieces for Violin & Piano, H. 104: No. 2, Spring Song (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | G Major | 0 | 9B | 87 BPM | ||
Piano Concerto No.2 in G Major, Op. 44: II. Andante non troppo | Vladimir Ashkenazy, Sydney Symphony Orchestra, Garrick Ohlsson | D Major | 1 | 10B | 73 BPM | ||
2 Mélodies, Op. 3: 1. Moderato assai | Anton Rubinstein, Shura Cherkassky | C Minor | 1 | 5A | 98 BPM | ||
I. Vanitas vanitatum (from "Five Pieces in the Popular Style", Op. 102) | Robert Schumann, Yo-Yo Ma, Kathryn Stott | F Major | 1 | 7B | 114 BPM | ||
Lalo: Symphonie espagnole in D Minor, Op. 21: III. Intermezzo - Allegretto non troppo | Édouard Lalo, Renaud Capuçon, Paavo Järvi, Orchestre de Paris | A Minor | 1 | 8A | 172 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM |