Magnificat en ré majeur, BWV 243: VIII. Deposuit potentes

Johann Sebastian Bach, Jordi Savall, David Munderloh, Le Concert Des Nations
Bach - Vivaldi: Magnificat & Concerti
2:00 2014年12月1日
テンポ
105
キー
F Minor
キャメロットミュージックキー
4A

リンクを埋め込む

共有

Magnificat en ré majeur, BWV 243: VIII. Deposuit potentes - Johann Sebastian Bach, Jordi Savall, David Munderloh, Le Concert Des Nations 情報

音響性
94%
ダンサビリティ
32%
エネルギー
28%
手段性
37%
活気
46%
ラウドネス
63%
話し言葉
4%
価数
68%
人気
ラウドネス
-22.26 dB

まとめ

Johann Sebastian Bach, Jordi Savall, David Munderloh, Le Concert Des Nations made "Magnificat en ré majeur, BWV 243: VIII. Deposuit potentes" available on December 1, 2014. The duration of Magnificat en ré majeur, BWV 243: VIII. Deposuit potentes is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Magnificat en ré majeur, BWV 243: VIII. Deposuit potentes's duration is considered a little bit shorter than the average duration of a typical track. The song is number 24 out of 28 in Bach - Vivaldi: Magnificat & Concerti by Jordi Savall. In terms of popularity, Magnificat en ré majeur, BWV 243: VIII. Deposuit potentes is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.

Magnificat en ré majeur, BWV 243: VIII. Deposuit potentes テンポ

The tempo marking of Magnificat en ré majeur, BWV 243: VIII. Deposuit potentes by Johann Sebastian Bach, Jordi Savall, David Munderloh, Le Concert Des Nations is Andante (at a walking pace), since this song has a tempo of 105 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Magnificat en ré majeur, BWV 243: VIII. Deposuit potentes キー

This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Cello Concerto No. 3 in A Major, Wq. 172: III. Allegro assai by Carl Philipp Emanuel Bach, Daniel Müller-Schott, L'Arte del mondo, Werner EhrhardtCello Concerto No. 3 in A Major, Wq. 172: III. Allegro assaiCarl Philipp Emanuel Bach, Daniel Müller-Schott, L'Arte del mondo, Werner EhrhardtE Major212B107 BPM
Double Concerto for 2 Violins, Strings, and Continuo in D Minor, BWV 1043: 3. Allegro by Johann Sebastian Bach, David Oistrakh, Igor Oistrakh, George Malcolm, Royal Philharmonic Orchestra, Eugene GoossensDouble Concerto for 2 Violins, Strings, and Continuo in D Minor, BWV 1043: 3. AllegroJohann Sebastian Bach, David Oistrakh, Igor Oistrakh, George Malcolm, Royal Philharmonic Orchestra, Eugene GoossensD Minor37A178 BPM
Sonatina No. 1 in C Major, Op. 36: II. Andante by Lang LangSonatina No. 1 in C Major, Op. 36: II. AndanteLang LangF Major17B176 BPM
Matthäus-Passion, BWV 244, Pt. 2: No. 46, Chorale. Matthäus-Passion, BWV 244, Pt. 2: No. 46, Chorale. "Wie wunderbarlich ist doch diese Strafe!" (Chorus)Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Gewandhausorchester, Rudolf Mauersberger, Erhard MauersbergerA♭ Major14B74 BPM
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits by Christoph Willibald Gluck, Eugene Ormandy, Philadelphia OrchestraOrpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed SpiritsChristoph Willibald Gluck, Eugene Ormandy, Philadelphia OrchestraD Minor17A67 BPM
Johannes-Passion, BWV 245.1: 27. Recitativo: Die Kriegsknechte aber by Johann Sebastian Bach, Thomanerchor Leipzig, Andreas Reize, Akademie für Alte Musik Berlin, David Fischer, Daniel OchoaJohannes-Passion, BWV 245.1: 27. Recitativo: Die Kriegsknechte aberJohann Sebastian Bach, Thomanerchor Leipzig, Andreas Reize, Akademie für Alte Musik Berlin, David Fischer, Daniel OchoaD Major210B172 BPM
Concerto in C Minor for Violin & Oboe, BWV 1060R: 1. Allegro by Johann Sebastian Bach, Janine Jansen, Ramon Ortega Quero, Boris Brovtsyn, Cindy Albracht, Frederik Paulsson, Julia-Maria Kretz, Tijmen Huisingh, Monika Urbonaite, Nimrod Guez, Pauline Sachse, Maarten Jansen, Rick Stotijn, Jan JansenConcerto in C Minor for Violin & Oboe, BWV 1060R: 1. AllegroJohann Sebastian Bach, Janine Jansen, Ramon Ortega Quero, Boris Brovtsyn, Cindy Albracht, Frederik Paulsson, Julia-Maria Kretz, Tijmen Huisingh, Monika Urbonaite, Nimrod Guez, Pauline Sachse, Maarten Jansen, Rick Stotijn, Jan JansenD Major110B136 BPM
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) by Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the FieldsHaydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten)Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the FieldsF Major17B124 BPM
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] by Franz Liszt, Oxana YablonskayaSchwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert]Franz Liszt, Oxana YablonskayaD Major010B66 BPM
(Ré)inventio: No. 13 in A Minor [After J.S. Bach's BWV 784] by Chiahu Lee, Johann Sebastian Bach, Yulia Vershinina-Mukhopadhyay(Ré)inventio: No. 13 in A Minor [After J.S. Bach's BWV 784]Chiahu Lee, Johann Sebastian Bach, Yulia Vershinina-MukhopadhyayE Minor29A112 BPM
ISRC
QM7281461722
レコードレーベル
L-M Records/RCA Records