Matthäus-Passion, BWV 244, Pt. 2: No. 41, Recitative. "Des Morgens aber hielten alle Hohepriester" (Evangelist, Judas) - "Was gehet uns das an?" [Chorus] - "Und er warf die Silberlinge in den Tempel" [Evangelist, Priests I & II]

Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Peter Schreier, Johannes Künzel, Hans-Joachim Rotzsch, Hans Martin Nau, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger
Quintessence J.S. Bach: Matthäus Passion, Johannes Passion
1:51 2019年10月1日
テンポ
95
キー
A Minor
キャメロットミュージックキー
8A

リンクを埋め込む

共有

Matthäus-Passion, BWV 244, Pt. 2: No. 41, Recitative. "Des Morgens aber hielten alle Hohepriester" (Evangelist, Judas) - "Was gehet uns das an?" [Chorus] - "Und er warf die Silberlinge in den Tempel" [Evangelist, Priests I & II] - Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Peter Schreier, Johannes Künzel, Hans-Joachim Rotzsch, Hans Martin Nau, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger 情報

音響性
99%
ダンサビリティ
25%
エネルギー
4%
手段性
22%
活気
12%
ラウドネス
57%
話し言葉
5%
価数
13%
人気
ラウドネス
-25.56 dB

まとめ

"Matthäus-Passion, BWV 244, Pt. 2: No. 41, Recitative. "Des Morgens aber hielten alle Hohepriester" (Evangelist, Judas) - "Was gehet uns das an?" [Chorus] - "Und er warf die Silberlinge in den Tempel" [Evangelist, Priests I & II]" by Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Peter Schreier, Johannes Künzel, Hans-Joachim Rotzsch, Hans Martin Nau, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger was released on October 1, 2019. With Matthäus-Passion, BWV 244, Pt. 2: No. 41, Recitative. "Des Morgens aber hielten alle Hohepriester" (Evangelist, Judas) - "Was gehet uns das an?" [Chorus] - "Und er warf die Silberlinge in den Tempel" [Evangelist, Priests I & II] being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 135 in the song's album "Quintessence J.S. Bach: Matthäus Passion, Johannes Passion". In this album, this song's track order is #41. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Matthäus-Passion, BWV 244, Pt. 2: No. 41, Recitative. "Des Morgens aber hielten alle Hohepriester" (Evangelist, Judas) - "Was gehet uns das an?" [Chorus] - "Und er warf die Silberlinge in den Tempel" [Evangelist, Priests I & II] is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Matthäus-Passion, BWV 244, Pt. 2: No. 41, Recitative. "Des Morgens aber hielten alle Hohepriester" (Evangelist, Judas) - "Was gehet uns das an?" [Chorus] - "Und er warf die Silberlinge in den Tempel" [Evangelist, Priests I & II] テンポ

With Matthäus-Passion, BWV 244, Pt. 2: No. 41, Recitative. "Des Morgens aber hielten alle Hohepriester" (Evangelist, Judas) - "Was gehet uns das an?" [Chorus] - "Und er warf die Silberlinge in den Tempel" [Evangelist, Priests I & II] by Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Peter Schreier, Johannes Künzel, Hans-Joachim Rotzsch, Hans Martin Nau, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger having a テンポ of 95 with a half-time of 48 テンポ and a double-time of 190 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.

Matthäus-Passion, BWV 244, Pt. 2: No. 41, Recitative. "Des Morgens aber hielten alle Hohepriester" (Evangelist, Judas) - "Was gehet uns das an?" [Chorus] - "Und er warf die Silberlinge in den Tempel" [Evangelist, Priests I & II] キー

This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

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ISRC
NLY331502711
レコードレーベル
L-M Records/RCA Records