Charles Buterne, Matthias Loibner, Riccardo Delfino, Laurent Le Chenadec, Thomas Wimmer, Norbert Zeilberger's 'Sonata No. 4 in C Minor, Op. 2: I. Gratioso' came out on January 1, 2000. The duration of Sonata No. 4 in C Minor, Op. 2: I. Gratioso is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Sonata No. 4 in C Minor, Op. 2: I. Gratioso's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Matthias Loibner's "Masters Of The Baroque Hurdy-Gurdy" album is number 4 out of 33. On top of that, Germany appears to be the country where this track was created. Sonata No. 4 in C Minor, Op. 2: I. Gratioso is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sonata No. 4 in C Minor, Op. 2: I. Gratioso by Charles Buterne, Matthias Loibner, Riccardo Delfino, Laurent Le Chenadec, Thomas Wimmer, Norbert Zeilberger to be Andante (at a walking pace) because the track has a tempo of 83 テンポ, a half-time of 42テンポ, and a double-time of 166 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Echo fantasia in Dorian mode, SwWV 261 | Jan Pieterszoon Sweelinck, Joseph Kelemen | A♭ Minor | 0 | 1A | 71 BPM | ||
Sonata in E Minor, Op. 5, No. 8 (arr. W. Babell): III. Sarabanda: Largo | William Babell, Arcangelo Corelli, Stefan Temmingh, Olga Watts | E♭ Minor | 1 | 2A | 113 BPM | ||
Violin Sonata No. 6 in C Minor, C. 143: I. — | Heinrich Ignaz Franz von Biber, Ars Antiqua Austria, Gunar Letzbor | B Minor | 1 | 10A | 85 BPM | ||
Sonata in F, TWV 41 F3: I. Andante | Georg Philipp Telemann, Jared Hauser, Christopher Stenstrom, Francis Perry, Polly Brecht | F Minor | 0 | 4A | 125 BPM | ||
Armide, LWV 71, Prologue: Ouverture (II) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique | F Minor | 1 | 4A | 111 BPM | ||
Suite in G Minor, BWV 1008: V. Menuet I – Menuet II – Menuet I | Johann Sebastian Bach, Dohyo Sol | B Minor | 0 | 10A | 127 BPM | ||
Fantazia I, Z. 732 | Henry Purcell, John Holloway, Monika Baer, Martin Zeller | D♭ Minor | 1 | 12A | 162 BPM | ||
Fantasia-Suite in A Minor, VdGS group IV, No. 1: II. Air | John Jenkins, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Le mouton: Canarie | Francesca Torelli, Charles Mouton | A Minor | 1 | 8A | 129 BPM | ||
Pallavicino: Demetrio, Sinfonia: IV. Adagio | Carlo Pallavicino, Il Pomo D'oro | F Major | 2 | 7B | 103 BPM |