Overture (Suite) No. 4 in D Major, BWV 1069: V. Rejouissance
- テンポ
- 119
- キー
- B Minor
- キャメロットミュージックキー
- 10A
Overture (Suite) No. 4 in D Major, BWV 1069: V. Rejouissance - Johann Sebastian Bach, Cologne Chamber Orchestra, Helmut Muller-Bruhl 情報
- 音響性
- 88%
- ダンサビリティ
- 66%
- エネルギー
- 39%
- 手段性
- 96%
- 活気
- 31%
- ラウドネス
- 72%
- 話し言葉
- 4%
- 価数
- 85%
- 人気
- 16%
- ラウドネス
- -16.516 dB
まとめ
On December 2, 2000, the song "Overture (Suite) No. 4 in D Major, BWV 1069: V. Rejouissance" was released by Johann Sebastian Bach, Cologne Chamber Orchestra, Helmut Muller-Bruhl. The duration of Overture (Suite) No. 4 in D Major, BWV 1069: V. Rejouissance is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Overture (Suite) No. 4 in D Major, BWV 1069: V. Rejouissance's duration is considered a little bit shorter than the average duration of a typical track. The song is number 24 out of 24 in Bach: Overtures (Suites) Nos. 1-4 by Johann Sebastian Bach, Cologne Chamber Orchestra, Helmut Muller-Bruhl. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Overture (Suite) No. 4 in D Major, BWV 1069: V. Rejouissance is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Overture (Suite) No. 4 in D Major, BWV 1069: V. Rejouissance テンポ
The tempo marking of Overture (Suite) No. 4 in D Major, BWV 1069: V. Rejouissance by Johann Sebastian Bach, Cologne Chamber Orchestra, Helmut Muller-Bruhl is Moderato (at a moderate speed), since this song has a tempo of 119 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
Overture (Suite) No. 4 in D Major, BWV 1069: V. Rejouissance キー
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
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|---|---|---|---|---|---|---|---|
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| Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | |
 | Concerto in C major for violoncello piccolo, strings and b.c.: Allegro | Giovanni Battista Sammartini, Camerata Köln | F♯ Major | 2 | 2B | 133 BPM | |
 | Concerto for Strings in F Major, RV 138: III. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | |
 | Abdelazar Suite, Z. 570: III. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | B♭ Major | 2 | 6B | 113 BPM | |
 | Cello Sonata in F Major, Op. 1, No. 1: II. Allegro | Benedetto Marcello, Collegium Pro Musica | E Major | 1 | 12B | 114 BPM | |
 | Recorder Sonata in D Minor, Op. 2, No. 3: I. Vivace | Jean-Baptiste Loeillet, Daniel Rothert, Vanessa Young, Ketil Haugsand | D♭ Minor | 1 | 12A | 90 BPM |
- ISRC
- HKI199911324
- レコードレーベル
- L-M Records/RCA Records