Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego Fasolis's 'Membra Jesu nostri, BuxWV 75: IIa. Ad genua: Ad ubera portabimini' came out on July 1, 1997. The duration of Membra Jesu nostri, BuxWV 75: IIa. Ad genua: Ad ubera portabimini is about 3 minutes long, at 3:06. Based on our data, "Membra Jesu nostri, BuxWV 75: IIa. Ad genua: Ad ubera portabimini" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 7 out of 36 in Buxtehude: Membra Jesu Nostri by Dietrich Buxtehude, Sonatori de la Gioiosa Marca. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Membra Jesu nostri, BuxWV 75: IIa. Ad genua: Ad ubera portabimini is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Membra Jesu nostri, BuxWV 75: IIa. Ad genua: Ad ubera portabimini by Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego Fasolis is Andante (at a walking pace), since this song has a tempo of 100 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trio Sonata in D Minor, Op. 1 No. 6, BuxWV 257: VIII. Vivace - IX. Adagio-poco presto | Dietrich Buxtehude, Filament | E♭ Minor | 4 | 2A | 111 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: II. Kyrie, 1. Kyrie eleison | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | B Minor | 3 | 10A | 110 BPM | ||
Stabat Mater: Stabat Mater dolorosa | Agostino Steffani, Elin Manahan Thomas, Harry Christophers, The Sixteen | F♯ Minor | 0 | 11A | 82 BPM | ||
Missa Dolorosa: VI. Agnus Dei | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Membra Jesu Nostri, BUXWV 75, cantata I ad pedes: III. Salve mundi salutare | Dietrich Buxtehude, Luthers Bach Ensemble, Tymen Jan Bronda, Baroque Orchestra, Kristen Witmer, Lucía Caihuela, Jan Kullmann, William Knight, Matthew Baker, Anonymous | A Major | 3 | 11B | 78 BPM | ||
Jesu, meine Freude, BuxWV 60: VI. Gute Nacht, ihr Sünden | Dietrich Buxtehude, Vox Luminis, Lionel Meunier, Caroline Weynants, Ensemble Masques, Olivier Fortin | E Minor | 0 | 9A | 125 BPM | ||
Mondonville: In exitu Israel: I. (b) Chœur. "In exitu Israel" | Jean-Joseph Cassanéa De Mondonville, Emmanuelle Haïm | F Major | 2 | 7B | 119 BPM | ||
Concerto Grosso No. 3 in D Minor (after D. Scarlatti): IV. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 87 BPM | ||
Mensa sonora / PARS I (In D Major): 1. Sonata. Grave - Allegro | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 1 | 3B | 139 BPM | ||
Telemann: Tafelmusik, Pt. 3: Ouverture-Suite in B-Flat Major, TWV 55:B1: V. Flaterie | Georg Philipp Telemann, Amsterdam Baroque Orchestra, Ton Koopman, Ku Ebbinge, Michel Henry, Monica Huggett, Alison Bury | F♯ Major | 1 | 2B | 73 BPM |