Ludwig van Beethoven, Daniel Barenboim, Berliner Philharmoniker's 'Beethoven: Piano Concerto No. 3 in C Minor, Op. 37: III. Rondo. Allegro' came out on January 1, 1987. Since Beethoven: Piano Concerto No. 3 in C Minor, Op. 37: III. Rondo. Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 6 in Beethoven: Klavierkonzert Nr. 2 & 3 by Ludwig van Beethoven, Daniel Barenboim, Berliner Philharmoniker. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Beethoven: Piano Concerto No. 3 in C Minor, Op. 37: III. Rondo. Allegro is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Beethoven: Piano Concerto No. 3 in C Minor, Op. 37: III. Rondo. Allegro by Ludwig van Beethoven, Daniel Barenboim, Berliner Philharmoniker is Moderato (at a moderate speed), since this song has a tempo of 114 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Schubert: Symphony No. 9 in C Major, D. 944 "The Great": III. Scherzo. Allegro vivace - Trio | Franz Schubert, Berliner Philharmoniker, Sir Simon Rattle | D Major | 1 | 10B | 114 BPM | ||
Haydn: Symphony No. 104 in D Major, Hob. I:104 "London": I. Adagio - Allegro | Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra | D Major | 2 | 10B | 119 BPM | ||
Symphony No. 8 in B Minor, D. 759 "Unfinished": 2. Andante con moto | Franz Schubert, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 76 BPM | ||
Serenade In G, K.525 "Eine kleine Nachtmusik": 4. Rondo (Allegro) | Wolfgang Amadeus Mozart, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 107 BPM | ||
Piano Trio in G Minor, Op. 15, JB 1:64: III. Finale. Presto | Bedřich Smetana, Smetana Trio | A Major | 0 | 11B | 88 BPM | ||
Lieder ohne Worte, Op.19: No. 4 In A (Moderato), MWV U 73 | Felix Mendelssohn, Daniel Barenboim | A Major | 0 | 11B | 134 BPM | ||
Ravel: L'enfant et les sortilèges, M. 71, Tableau I: "Ah ! C'est elle ! C'est elle !" - "Toi, le cœur de la rose" (L'Enfant, La Princesse) | Maurice Ravel, Sir Simon Rattle, Magdalena Kozená, Annick Massis, Berliner Philharmoniker | D♭ Minor | 0 | 12A | 113 BPM | ||
Glazunov : Violin Concerto in A minor Op.82 : II Andante | Alexander Glazunov, Maxim Vengerov, Claudio Abbado, Berliner Philharmoniker | D♭ Major | 1 | 3B | 106 BPM | ||
Recollections of Paganini, WoO 8, S190: IV. Campanella | Johann Nepomuk Hummel, Madoka Inui | A Minor | 1 | 8A | 138 BPM |