Miles Davis, John Coltrane, Cannonball Adderley, Wynton Kelly, Paul Chambers made "Freddie Freeloader (feat. John Coltrane, Cannonball Adderley, Wynton Kelly & Paul Chambers)" available on August 17, 1959. Since Freddie Freeloader (feat. John Coltrane, Cannonball Adderley, Wynton Kelly & Paul Chambers) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Miles Davis's "Kind Of Blue (Legacy Edition)" album is number 2 out of 21. On top of that, United States appears to be the country where this track was created. Based on our statistics, Freddie Freeloader (feat. John Coltrane, Cannonball Adderley, Wynton Kelly & Paul Chambers)'s popularity is average in popularity right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Freddie Freeloader (feat. John Coltrane, Cannonball Adderley, Wynton Kelly & Paul Chambers) by Miles Davis, John Coltrane, Cannonball Adderley, Wynton Kelly, Paul Chambers to be Allegro (fast, quick, and bright) because the track has a tempo of 128 テンポ, a half-time of 64テンポ, and a double-time of 256 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bohemia After Dark | Oscar Pettiford | G Minor | 4 | 6A | 90 BPM | ||
April In Paris - 2007 Remaster/Rudy Van Gelder Edition | Thad Jones | C Major | 2 | 8B | 112 BPM | ||
But Not for Me (Instrumental) | Chet Baker Quartet, Russ Freeman | F Minor | 2 | 4A | 82 BPM | ||
I Got It Bad And That Ain't Good | Oscar Peterson Trio | F Major | 1 | 7B | 50 BPM | ||
In The Wee Small Hours Of The Morning | Gerry Mulligan Sextet | G Major | 0 | 9B | 115 BPM | ||
Time After Time | John Coltrane | E♭ Major | 2 | 5B | 91 BPM | ||
The Way You Look Tonight - Take 2 | Wes Montgomery Trio | F Major | 3 | 7B | 134 BPM | ||
One For Daddy-O - Remastered | Cannonball Adderley | F Minor | 4 | 4A | 108 BPM | ||
Carson City Stage | Chet Baker Quartet, Russ Freeman | F Minor | 2 | 4A | 146 BPM | ||
Tariff - Rudy Van Gelder Edition/2006 Digital Remaster | Thad Jones | A♭ Major | 5 | 4B | 97 BPM |