Ennio Morricone, Marco Serino, Orchestra di Padova e del Veneto's 'Quattro Adagi: III. Addio ai monti (From "I promessi sposi")' had a release date set for October 6, 2023. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Quattro Adagi: III. Addio ai monti (From "I promessi sposi")'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ennio Morricone, Marco Serino, Orchestra di Padova e del Veneto's "Morricone: Cinema Rarities for Violin and String Orchestra" album is number 8 out of 17. On top of that, France appears to be the country where this track was created. Based on our statistics, Quattro Adagi: III. Addio ai monti (From "I promessi sposi")'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Quattro Adagi: III. Addio ai monti (From "I promessi sposi") by Ennio Morricone, Marco Serino, Orchestra di Padova e del Veneto to be Allegro (fast, quick, and bright) because the track has a tempo of 130 テンポ, a half-time of 65テンポ, and a double-time of 260 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Encantadas de Vivir | Ninfas De Ultramar | F♯ Minor | 1 | 11A | 82 BPM | ||
Time Waltz | Benn Cole | D♭ Minor | 8 | 12A | 120 BPM | ||
白鳥~組曲《動物の謝肉祭》) | 向山佳絵子 | G Major | 1 | 9B | 172 BPM | ||
Fire of Time | Paolo MIllon, Neon Lilith, Oscar La Fitte, Jack Chicoran | C Major | 1 | 8B | 120 BPM | ||
This Too Shall Pass | Matthew J Webster, The Budapest Scoring Orchestra | F Minor | 3 | 4A | 150 BPM | ||
The Long Day Closes: II. An Unquiet Day | Milo Paulus | E Major | 2 | 12B | 107 BPM | ||
A Thing of Tomorrow | Paolo MIllon, Neon Lilith, Andrea Sullivan, Alan R Black | E Minor | 1 | 9A | 90 BPM | ||
Sinfonia - From the Three-Part Inventions for Keyboard | Michael Maxwell | G Minor | 1 | 6A | 83 BPM | ||
The Carnival of the Animals, R. 125: XIII. The Swan (Arr. for Flute and Harp) | Camille Saint-Saëns, Vincent Persichetti, Philippa Davies, Thelma Owen | F Minor | 0 | 4A | 97 BPM | ||
Falling Into Dreams | Mělník Philharmonic Orchestra | G Major | 1 | 9B | 69 BPM |