War From A Harlots Mouth's 'How To Disconnect From Your Social Surrounding In Half An Hour' came out on September 21, 2007. With How To Disconnect From Your Social Surrounding In Half An Hour being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 11 in the song's album "Transmetropolitan". In this album, this song's track order is #1. Based on our statistics, How To Disconnect From Your Social Surrounding In Half An Hour's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With How To Disconnect From Your Social Surrounding In Half An Hour by War From A Harlots Mouth having a テンポ of 122 with a half-time of 61 テンポ and a double-time of 244 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
The music key of this track is C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I Don't Need to Be Straight Edge to Be Better Than You | Liferuiner | F♯ Major | 8 | 2B | 169 BPM | ||
Like a Train Through a Pigeon | The Red Chord | B♭ Minor | 10 | 3A | 87 BPM | ||
What Doesn't Kill You….? | The Red Shore | G Major | 9 | 9B | 98 BPM | ||
Every Blade | Chamber | G Major | 10 | 9B | 88 BPM | ||
All Things Set Aside | Veil Of Maya | G Major | 10 | 9B | 80 BPM | ||
Tooth Grinder | Animosity | B♭ Minor | 10 | 3A | 90 BPM | ||
Better Than This | Salt The Wound | B♭ Minor | 9 | 3A | 128 BPM | ||
Forging a Future Self | After The Burial | B♭ Minor | 9 | 3A | 103 BPM | ||
A Portable Death Ray and a Sterile Claw Hammer | See You Next Tuesday | A Major | 10 | 11B | 84 BPM | ||
Recluse MMX | War From A Harlots Mouth | B♭ Major | 10 | 6B | 95 BPM |