"Symphonie "Mathis der Maler": 2. Grablegung" by Paul Hindemith, San Francisco Symphony, Herbert Blomstedt was released on January 1, 1988. With this song being about 5 minutes long, at 4:43, "Symphonie "Mathis der Maler": 2. Grablegung" by Paul Hindemith, San Francisco Symphony, Herbert Blomstedt is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Paul Hindemith, San Francisco Symphony, Herbert Blomstedt's "Hindemith: Symphonie 'Mathis der Maler' / Trauermusik / Symphonic Metamorphosis" album is number 2 out of 8. On top of that, United Kingdom appears to be the country where this track was created. Symphonie "Mathis der Maler": 2. Grablegung is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphonie "Mathis der Maler": 2. Grablegung by Paul Hindemith, San Francisco Symphony, Herbert Blomstedt to be Andante (at a walking pace) because the track has a tempo of 80 テンポ, a half-time of 40テンポ, and a double-time of 160 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 8 in G Minor, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 130 BPM | ||
Concerto for Woodwinds, Harp and Orchestra: I. Moderately fast | Paul Hindemith, Stathis Karapanos, Jörg Widmann, Stephan Schweigert, Celine Moinet, Marie-Pierre Langlamet, Konzerthaus Berlin Chamber Orchestra, Sayako Kusaka | G Major | 0 | 9B | 113 BPM | ||
Mathis der Maler Symphony: II. Grablegung | Paul Hindemith, Orchestra della Svizzera Italiana, Markus Poschner | F♯ Major | 0 | 2B | 87 BPM | ||
Ludus Tonalis: VII. Interludium (Scherzando) | Paul Hindemith, Alena Cherny | A♭ Major | 0 | 4B | 69 BPM | ||
String Quartet No. 2 'Intimate Pages': String Quartet No. 2 'Intimate Pages': I. Andante. Con moto. Allegro | Leoš Janáček, Jerusalem Quartet | A♭ Major | 1 | 4B | 79 BPM | ||
Ravel: Ma mère l'oye, M. 60: I. Pavane de la Belle au bois dormant | Maurice Ravel, Rotterdam Philharmonic Orchestra/Yannick Nézet-Séguin, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | A Minor | 0 | 8A | 65 BPM | ||
Viola Sonata, Op. 25, No. 1: IV. Rasendes Zeitmass. Wild. Tonschonheit ist Nebensache | Paul Hindemith, Nobuko Imai | F Major | 5 | 7B | 104 BPM | ||
Symphony No.5 In C Minor, Op.67: 2. Andante con moto | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 81 BPM | ||
Játékok / 3.: 39. Hommage à Christian Wolff (Félálomban) | György Kurtág | D Minor | 0 | 7A | 141 BPM | ||
Dutilleux: Blackbird | Henri Dutilleux, Anne Queffélec | D♭ Major | 1 | 3B | 180 BPM |