Ferdinando Carulli, Marcello Fantoni made "Solo avec variations sur l'air de "La molinara", Op. 107 (After Paisiello's R.1.76): Theme. Larghetto" available on June 17, 2022. With Solo avec variations sur l'air de "La molinara", Op. 107 (After Paisiello's R.1.76): Theme. Larghetto being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 14 out of 32 in Carulli Rediscovered by Ferdinando Carulli, Marcello Fantoni. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. In terms of popularity, Solo avec variations sur l'air de "La molinara", Op. 107 (After Paisiello's R.1.76): Theme. Larghetto is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Solo avec variations sur l'air de "La molinara", Op. 107 (After Paisiello's R.1.76): Theme. Larghetto by Ferdinando Carulli, Marcello Fantoni is Andante (at a walking pace), since this song has a tempo of 94 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carcassi Op.26 N.2 Vivace | Matteo Carcassi, Lucio Matarazzo | G Major | 5 | 9B | 142 BPM | ||
Solomon, HWV 67, Act III: Sinfonia, "Arrival of the Queen of Sheba" (arr. J. Dearman) | George Frideric Handel, John Dearman, Los Angeles Guitar Quartet | E Major | 2 | 12B | 107 BPM | ||
Canciones Castellanas | Regino Sáinz de la Maza, Franz Halász | A Minor | 2 | 8A | 90 BPM | ||
Preludio No. 9 in G Major - for Guitar | Ferdinando Carulli, Bruno Giuffredi | D Major | 3 | 10B | 156 BPM | ||
Yesler Way | Kevin Callahan | G Minor | 0 | 6A | 115 BPM | ||
4 Obras Originales: No. 1. Baile de Munecas | Regino Sáinz de la Maza, Franz Halász | G Major | 1 | 9B | 129 BPM | ||
Sonatina canonica, Op. 196: I. Mosso, grazioso e leggero | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | D Minor | 2 | 7A | 111 BPM | ||
Andantino Op. 39 No. 2 | Anton Diabelli, Brett Lashley | C Major | 1 | 8B | 77 BPM | ||
Love Is Here to Stay | Andrew Keeping | D Major | 0 | 10B | 118 BPM | ||
Micro Piezas Hommage a Darius Milhaud IV - Live | Leo Brouwer, Duo Imbesi Zangarà | B Minor | 4 | 10A | 80 BPM |