"Sig naermer tiden, da jeg ma vaek (Close at hand is the hour when I have to leave) (arr. B. Holten for chorus)" by Bo Holten, Oluf Ring, Musica Ficta was released on December 1, 2000. The duration of Sig naermer tiden, da jeg ma vaek (Close at hand is the hour when I have to leave) (arr. B. Holten for chorus) is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Sig naermer tiden, da jeg ma vaek (Close at hand is the hour when I have to leave) (arr. B. Holten for chorus)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 24 in Den danske sangskat, Vol. 4 by Musica Ficta, Bo Holten. Sig naermer tiden, da jeg ma vaek (Close at hand is the hour when I have to leave) (arr. B. Holten for chorus) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sig naermer tiden, da jeg ma vaek (Close at hand is the hour when I have to leave) (arr. B. Holten for chorus) by Bo Holten, Oluf Ring, Musica Ficta is Adagio (slowly with great expression), since this song has a tempo of 76 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Er vetur mætir vori | Anna Kristín Gunnarsdóttir, Gradualekór Langholtskirkju | B♭ Minor | 0 | 3A | 137 BPM | ||
Kronstorfer Messe in D Minor, WAB 146: I. Kyrie | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | G Minor | 2 | 6A | 137 BPM | ||
Mass for Double Choir: I. Kyrie | Frank Martin, Westminster Choir, Joe Miller | E Minor | 1 | 9A | 80 BPM | ||
Lorca Suite, Op.72: I. Canción de jinete (The Rider) | Einojuhani Rautavaara, Estonian Philharmonic Chamber Choir, Paul Hillier | A Minor | 1 | 8A | 60 BPM | ||
Annelies (chamber version): VI. Courage | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | B Minor | 0 | 10A | 137 BPM | ||
To See a World | Sven-David Sandström, Musikhögskolans Kammarkör Piteå, Erik Westberg | G Minor | 0 | 6A | 84 BPM | ||
Tantum ergo, WAB 42 | Anton Bruckner, Latvian Radio Choir, Kristīne Adamaite, Sigvards Kļava | A Major | 2 | 11B | 135 BPM | ||
La finta semplice, K. 51, Act I: Act I Scene 3: Aria: Non c'e al mondo altro che donne (Cassandro) | Wolfgang Amadeus Mozart, Helen Donath, Robert Holl, Anthony Rolfe Johnson, Teresa Berganza, Jutta Renate Ihloff, Thomas Moser, Robert Lloyd, Mozarteum Orchestra Salzburg, Leopold Hager, Bo Holten | D Major | 2 | 10B | 132 BPM | ||
2 Choeurs, Op. 68: No. 2. Les fleurs et les arbres | Camille Saint-Saëns, musica intima | E♭ Major | 1 | 5B | 76 BPM | ||
Advance Democracy | Benjamin Britten, Collegium Vocale zu Franziskanern Luzern, Ulrike Grosch | E♭ Major | 0 | 5B | 132 BPM |