Giya Kancheli, Polina Osetinskaya, Julian Milkis's '18 Miniatures for Violin and Piano: No. 15, Marcato - Secco (Arr. Julian Milkis)' came out on October 21, 2022. The duration of 18 Miniatures for Violin and Piano: No. 15, Marcato - Secco (Arr. Julian Milkis) is about 3 minutes long, at 3:04. Based on our data, "18 Miniatures for Violin and Piano: No. 15, Marcato - Secco (Arr. Julian Milkis)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Giya Kancheli, Polina Osetinskaya, Julian Milkis's "Kancheli: Music for Film and Theatre for Clarinet and Piano" album is number 15 out of 20. On top of that, Russia appears to be the country where this track was created. In terms of popularity, 18 Miniatures for Violin and Piano: No. 15, Marcato - Secco (Arr. Julian Milkis) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 18 Miniatures for Violin and Piano: No. 15, Marcato - Secco (Arr. Julian Milkis) by Giya Kancheli, Polina Osetinskaya, Julian Milkis to be Andante (at a walking pace) because the track has a tempo of 101 テンポ, a half-time of 50テンポ, and a double-time of 202 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
24 Préludes, Op. 28: Prelude No. 4 in E Minor | Katia Labèque | E Minor | 0 | 9A | 73 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
3 Pieces in Old Style: No. 1. Aria | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | G Minor | 0 | 6A | 85 BPM | ||
Sechs Klavierstücke, Op. 118: II. Intermezzo in A Major | Johannes Brahms, Arcadi Volodos | A Major | 0 | 11B | 69 BPM | ||
Simple Music for Piano, N. 30 (Theme From "The Role for a Beginner") | Giya Kancheli, Alessandro Stella | D Minor | 0 | 7A | 75 BPM | ||
The Hours: An Unwelcome Friend (From "The Hours") | Philip Glass, Nicolas Horvath | G Minor | 0 | 6A | 74 BPM | ||
Davidsbündlertänze, Op. 6: No. 2. Innig | Robert Schumann, Boris Giltburg | B Major | 0 | 1B | 70 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
24 Preludes, Op. 11: No. 4 in E Minor | Alexander Scriabin, Evgeny Zarafiants | F Major | 1 | 7B | 99 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM |