"Les nuits d'été, Op. 7: IV. Absence" by Hector Berlioz, Marie-Nicole Lemieux, Daniel Blumenthal was released on February 1, 2001. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 16 in Berlioz: Les nuits d'été - Wagner: Wesendonck-Lieder - Mahler: Rückert-Lieder by Marie-Nicole Lemieux, Daniel Blumenthal. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. Based on our statistics, Les nuits d'été, Op. 7: IV. Absence's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Les nuits d'été, Op. 7: IV. Absence by Hector Berlioz, Marie-Nicole Lemieux, Daniel Blumenthal is Allegro (fast, quick, and bright), since this song has a tempo of 129 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lohengrin, WWV 75, Act III: In ferner Land, unnahbar euren Schritten (Lohengrin, The King, Men, Women) | Richard Wagner, Klaus Florian Vogt, Annette Dasch, Günther Groissböck, Robert Franke, Holger Marks, Marek Janowski, Rundfunk-Sinfonieorchester Berlin, Rundfunkchor Berlin | A Major | 1 | 11B | 63 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic | F Major | 6 | 7B | 154 BPM | ||
L'Arlésienne Suite No.2: Pastorale | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | A Major | 1 | 11B | 80 BPM | ||
Concerto for Clarinet and Orchestra No. 1 in F minor J114 (Op. 73): Allegro | Carl Maria von Weber, Sabine Meyer, Herbert Blomstedt, Staatskapelle Dresden | F Minor | 1 | 4A | 128 BPM | ||
Benvenuto Cellini / Act 1: "Viens, pas à pas" - "Assassiner un capucin" - "A moi, mes amis" | Hector Berlioz, Robert Massard, Nicolai Gedda, Christiane Eda-Pierre, Raimund Herincx, Jane Berbié, Derek Blackwell, Robert Lloyd, Jules Bastin, Chorus of the Royal Opera House, Covent Garden, BBC Symphony Orchestra, Sir Colin Davis | B♭ Major | 3 | 6B | 137 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Peter Hurford, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 3 | 9B | 150 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: Romeo | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Major | 0 | 8B | 132 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
Benvenuto Cellini, Op. 23: Overture | Hector Berlioz, Orchestre National De Lyon, Leonard Slatkin | A♭ Major | 3 | 4B | 141 BPM | ||
Masquerade Suite: Gallop | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | G Major | 1 | 9B | 104 BPM |