Magnificat in D Major, BWV 243: Omnes generationes (Chorus, Soprano, Alto, Tenor, Bass)
- テンポ
- 86
- キー
- E♭ Minor
- キャメロットミュージックキー
- 2A
Magnificat in D Major, BWV 243: Omnes generationes (Chorus, Soprano, Alto, Tenor, Bass) - Johann Sebastian Bach, Christine Schäfer, Ibolya Verebics, Ingeborg Danz, James Taylor, Thomas Quasthoff, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling 情報
- 音響性
- 99%
- ダンサビリティ
- 34%
- エネルギー
- 6%
- 手段性
- 92%
- 活気
- 9%
- ラウドネス
- 63%
- 話し言葉
- 5%
- 価数
- 6%
- 人気
- 9%
- ラウドネス
- -21.942 dB
まとめ
"Magnificat in D Major, BWV 243: Omnes generationes (Chorus, Soprano, Alto, Tenor, Bass)" by Johann Sebastian Bach, Christine Schäfer, Ibolya Verebics, Ingeborg Danz, James Taylor, Thomas Quasthoff, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling was released on January 1, 2000. With Magnificat in D Major, BWV 243: Omnes generationes (Chorus, Soprano, Alto, Tenor, Bass) being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 28 in Bach, J.S.: Magnificat in D Major, Bwv 243 by Johann Sebastian Bach. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Magnificat in D Major, BWV 243: Omnes generationes (Chorus, Soprano, Alto, Tenor, Bass) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Magnificat in D Major, BWV 243: Omnes generationes (Chorus, Soprano, Alto, Tenor, Bass) テンポ
The tempo marking of Magnificat in D Major, BWV 243: Omnes generationes (Chorus, Soprano, Alto, Tenor, Bass) by Johann Sebastian Bach, Christine Schäfer, Ibolya Verebics, Ingeborg Danz, James Taylor, Thomas Quasthoff, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling is Andante (at a walking pace), since this song has a tempo of 86 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
Magnificat in D Major, BWV 243: Omnes generationes (Chorus, Soprano, Alto, Tenor, Bass) キー
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Prelude In D Major, BWV 925 : Prelude In D Major, BWV 925 | Janos Sebestyen, Johann Sebastian Bach | D Major | 3 | 10B | 139 BPM | |
 | Viola da gamba Sonata in G Minor, BWV 1029 (Arr. for Cello & Piano): I. Vivace | Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela Hewitt | E♭ Major | 2 | 5B | 89 BPM | |
 | Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | |
 | Himmelfahrtsoratorium, BWV 11: Chorale. Wenn soll es doch geschehen (Chorus) | Johann Sebastian Bach, Yukari Nonoshita, Patrick Van Goethem, Jan Kobow, Chiyuki Urano, Bach Collegium Japan, Masaaki Suzuki | D♭ Major | 3 | 3B | 113 BPM | |
 | Solomon, HWV 67, Act I Scene 1: No. 4 "With pious heart, and holy tongue" (Chorus of Priests) | George Frideric Handel, RIAS Kammerchor, Daniel Reuss, Akademie für Alte Musik Berlin | D Minor | 1 | 7A | 77 BPM | |
 | Symphony No. 2 in B-Flat Major, Op. 52 "Hymn Of Praise": V. Andante "Ich harrete des Herrn" | Felix Mendelssohn, Christiane Karg, Maria Bernius, Deutsche Kammerphilharmonie Bremen, Frieder Bernius, Kammerchor Stuttgart | F Major | 4 | 7B | 84 BPM | |
 | II. Der Himmel Lacht! Die Erde Jubilieret BWV 31, 1. Sonata | Holland Boys Choir, Netherlands Bach Collegium, Vincent Van Ballegooien, Sytse Buwalda, Johann Sebastian Bach, Ruth Holton, Nico Van Der Meel, Susan Williams, Peter Frankenberg, Bas Ramselaar, Hendrik Jan Houtsma, Eduard Wesley, Will Wroth, Pieter Jan Leusink | B Major | 4 | 1B | 183 BPM | |
 | Suite in G Minor, BWV 822: Overture in G Minor, BWV 822: VII. Menuet III (arr. for piano) | Anonymous, Johann Sebastian Bach, Jenő Jandó | G Major | 1 | 9B | 137 BPM | |
 | IV. Wachet! Betet! Betet! Wachet! BWV 70, Prima Parte, 1. Coro: Wachet! Betet! Betet! Wachet! | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Sytse Buwalda, Frank Wakelkamp, Bas Ramselaar, Johann Sebastian Bach, Nico Van Der Meel, Susan Williams, Peter Frankenberg, Pieter Jan Leusink | F♯ Major | 3 | 2B | 79 BPM | |
 | Psalm 42, Op. 42, MWV A15: Wie der Hirsch schreit (Chorus) | Felix Mendelssohn, Sibylla Rubens, Scot Weir, Christoph Genz, Matthias Goerne, Thomas Mehnert, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | A♭ Major | 1 | 4B | 74 BPM |
- ISRC
- DEA559902720
- レコードレーベル
- L-M Records/RCA Records