Johann Sebastian Bach, Holland Baroque's 'Organ Sonata No. 2 in C Minor, BWV 526 "Trio" (Excerpts Arr. J. & T. Steenbrink for Chamber Ensemble): I. Vivace' came out on February 3, 2023. The duration of Organ Sonata No. 2 in C Minor, BWV 526 "Trio" (Excerpts Arr. J. & T. Steenbrink for Chamber Ensemble): I. Vivace is about 3 minutes long, at 3:16. Based on our data, "Organ Sonata No. 2 in C Minor, BWV 526 "Trio" (Excerpts Arr. J. & T. Steenbrink for Chamber Ensemble): I. Vivace" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 13 in Bachs Königin by Johann Sebastian Bach, Holland Baroque. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Organ Sonata No. 2 in C Minor, BWV 526 "Trio" (Excerpts Arr. J. & T. Steenbrink for Chamber Ensemble): I. Vivace is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Organ Sonata No. 2 in C Minor, BWV 526 "Trio" (Excerpts Arr. J. & T. Steenbrink for Chamber Ensemble): I. Vivace by Johann Sebastian Bach, Holland Baroque is Andante (at a walking pace), since this song has a tempo of 98 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Brandenburg Concerto No. 3 in G Major, BWV 1048: II. [Adagio] | Johann Sebastian Bach, Trevor Pinnock, Kati Debretzeni | A♭ Major | 0 | 4B | 94 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Prelude No. 3 "Nina's Convention" | Johann Sebastian Bach, John Lewis | C Major | 1 | 8B | 93 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM | ||
Orfeo ed Euridice, Act II Scene 2: Ballet Music, "Reigen der seligen Geister" (arr. W. Kempff): Orpheus and Eurydice: Ballet Music - Reigen der seligen Geister (trans. W. Kempff) | Wilhelm Kempff, Christoph Willibald Gluck, Idil Biret | F Major | 0 | 7B | 81 BPM | ||
7 Variations on an original theme, Op. 9, J. 55: Andante | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 121 BPM |