Three Dances for Orchestra (Tres Dansas para Orquestra): 1. Brazilian Dance
- テンポ
- 104
- キー
- F♯ Minor
- キャメロットミュージックキー
- 11A
Three Dances for Orchestra (Tres Dansas para Orquestra): 1. Brazilian Dance - Camargo Guarnieri, Simón Bolívar Youth Orchestra of Venezuela, Gustavo Dudamel 情報
- 音響性
- 71%
- ダンサビリティ
- 40%
- エネルギー
- 29%
- 手段性
- 88%
- 活気
- 66%
- ラウドネス
- 58%
- 話し言葉
- 5%
- 価数
- 50%
- 人気
- 5%
- ラウドネス
- -25.202 dB
まとめ
Camargo Guarnieri, Simón Bolívar Youth Orchestra of Venezuela, Gustavo Dudamel made "Three Dances for Orchestra (Tres Dansas para Orquestra): 1. Brazilian Dance" available on January 1, 2010. The duration of Three Dances for Orchestra (Tres Dansas para Orquestra): 1. Brazilian Dance is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Three Dances for Orchestra (Tres Dansas para Orquestra): 1. Brazilian Dance's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in "Rite" - Stravinsky: Le Sacre du printemps; Revueltas: La noche de los mayas, so we believe that "Three Dances for Orchestra (Tres Dansas para Orquestra): 1. Brazilian Dance" is a single. In terms of popularity, Three Dances for Orchestra (Tres Dansas para Orquestra): 1. Brazilian Dance is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Three Dances for Orchestra (Tres Dansas para Orquestra): 1. Brazilian Dance テンポ
The tempo marking of Three Dances for Orchestra (Tres Dansas para Orquestra): 1. Brazilian Dance by Camargo Guarnieri, Simón Bolívar Youth Orchestra of Venezuela, Gustavo Dudamel is Andante (at a walking pace), since this song has a tempo of 104 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Three Dances for Orchestra (Tres Dansas para Orquestra): 1. Brazilian Dance キー
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | 12 Études caractéristiques, Op. 2: No. 4 in B-Flat Major, "Repos d'amour" | Adolf von Henselt, Sergio Gallo | B♭ Major | 1 | 6B | 144 BPM | |
 | Ballade, Op. 24 (Variations on a Norwegian Melody): Var. 12. Meno allegro e maestoso | Edvard Grieg, Andrey Gugnin | F♯ Major | 0 | 2B | 65 BPM | |
 | Passaros em festa | Ernesto Nazareth, Antoine Zemor | A Major | 1 | 11B | 72 BPM | |
 | Guia pratico, Book 11: No. 5. Vida Formosa | Heitor Villa-Lobos, Sonia Rubinsky | E♭ Major | 3 | 5B | 146 BPM | |
 | 月映萬川 | 江佳蓁 Chia-Chen Chiang | B♭ Major | 1 | 6B | 65 BPM | |
 | Violin Sonata No. 5 in F Minor, BWV 1018: III. Adagio (Arr. Siloti for Piano) | Johann Sebastian Bach, Hamish Milne | D Minor | 1 | 7A | 114 BPM | |
 | String Quartet: 4. Animato | Luís de Freitas Branco, Quarteto Tejo | A Minor | 2 | 8A | 90 BPM | |
 | Impromptu | Germaine Tailleferre, Cristina Ariagno | B Major | 2 | 1B | 133 BPM | |
 | Sonata No. 5 in E Minor, RV 40: IV. Allegro | Ashima Scripp, Eleanor Perrone | E Minor | 2 | 9A | 117 BPM | |
 | Menora: No. 4. — | Andreas Nick, See Siang Wong | B Major | 1 | 1B | 114 BPM |
- ISRC
- This song does not have an ISRC.
- レコードレーベル
- L-M Records/RCA Records