"Horn Concertino in E Minor, Op. 45, J. 188: I. Adagio - Andante" by Carl Maria von Weber, Czech Philharmonic Orchestra, Václav Neumann, Zdeněk Tylšar had its release date on January 31, 2008. This song is about six minutes long, preciously at 5:35, making this song fairly long compared to other songs. This song is part of Weber: Concertino in E Minor - Strauss: Horn Concerto in C Minor - Saint-Saëns: Morceau de concert - Schumann: Concertstück by Zdeněk Tylšar, Václav Neumann, Czech Philharmonic Orchestra. The song's track number on the album is #1 out of 12 tracks. Horn Concertino in E Minor, Op. 45, J. 188: I. Adagio - Andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Horn Concertino in E Minor, Op. 45, J. 188: I. Adagio - Andante by Carl Maria von Weber, Czech Philharmonic Orchestra, Václav Neumann, Zdeněk Tylšar has a tempo of 85 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Horn Concertino in E Minor, Op. 45, J. 188: I. Adagio - Andante being at 85 テンポ, the half-time would be 42 テンポ with a double-time of 170 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B♭ Major | 0 | 6B | 82 BPM | ||
Horn Concerto in B flat, Op. 91: 3. Moderato | Reinhold Glière, Hermann Baumann, Gewandhausorchester, Kurt Masur | B♭ Major | 1 | 6B | 156 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: II. Scherzo | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | G Minor | 3 | 6A | 89 BPM | ||
El sombrero de tres picos, Pt. 1: III. Danza de la molinera | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 121 BPM | ||
Symphony No. 92 "Oxford" | Joseph Haydn, English Sinfonia, Sir Charles Groves | G Major | 2 | 9B | 77 BPM | ||
Evening Songs, Op. 3: No. 7, Když jsem se díval do nebe | Antonín Dvořák, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle | G Minor | 1 | 6A | 97 BPM | ||
Scheherazade, Op. 35: I. The Sea and Sinbad´s Ship. Largo maestoso | Nikolai Rimsky-Korsakov, Czech Philharmonic, Vladimír Válek | E Major | 0 | 12B | 83 BPM | ||
Rachmaninov: Scherzo in D Minor | Sergei Rachmaninoff, St Petersburg Philharmonic Orchestra (Leningrad)/Mariss Jansons, Mariss Jansons | D Minor | 1 | 7A | 109 BPM | ||
Variations on a theme from Silvana, Op. 33: III. Varation 2 | Carl Maria von Weber, Jean-Frédéric Neuburger | B♭ Major | 2 | 6B | 136 BPM |