Ludwig van Beethoven, Ezio Bosso's 'Symphony No. 7 in A Major, Op. 92: II. Allegretto' came out on January 24, 2020. Since Symphony No. 7 in A Major, Op. 92: II. Allegretto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Ezio Bosso's "Grazie Claudio!" album is number 2 out of 17. On top of that, Italy appears to be the country where this track was created. Symphony No. 7 in A Major, Op. 92: II. Allegretto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 7 in A Major, Op. 92: II. Allegretto by Ludwig van Beethoven, Ezio Bosso to be Adagio (slowly with great expression) because the track has a tempo of 76 テンポ, a half-time of 38テンポ, and a double-time of 152 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kol Nidrei, Op. 47 | Max Bruch, Jan Vogler, Helmut Branny | D Major | 1 | 10B | 136 BPM | ||
Symphony No. 9 in D Minor, Op. 125 "Choral": II. Molto vivace | Ludwig van Beethoven, Helena Juntunen, Katarina Karnéus, Daniel Norman, Neal Davies, Minnesota Chorale, Minnesota Orchestra, Osmo Vänskä | D Minor | 1 | 7A | 120 BPM | ||
Tomorrow | Giovanni Allevi | G Major | 1 | 9B | 140 BPM | ||
Má Vlast, JB1:112: 2. Vltava | Bedřich Smetana, Czech Philharmonic Orchestra, Jiří Bělohlávek | E Major | 1 | 12B | 79 BPM | ||
Orfeo ed Euridice: Melody (arr. G. Sgambati) | Giovanni Sgambati, Christoph Willibald Gluck, Jura Margulis | D Minor | 0 | 7A | 71 BPM | ||
Madame Butterfly, 1. Akt: Vogliatemi bene (Mona Lisa): Act II: Humming Chorus | Giacomo Puccini, Jozef Abel, Nelly Boschkowa, Miriam Gauci, Helena Hanzelova, Vladimir Kubovcik, Alžbeta Michálková, Yordy Ramiro, Jozef Spacek, Maria Stahelova, Robert Szücs, Georg Tichy, Ana Tomkovicova, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari | B♭ Major | 0 | 6B | 83 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
Sonatina No. 1 in C Major, Op. 36: 1. Spiritoso | Muzio Clementi, Lang Lang | C Major | 3 | 8B | 108 BPM | ||
Satie: 3 Gymnopédies: No. 1, Lent et douloureux | Erik Satie, Aldo Ciccolini | G Major | 0 | 9B | 126 BPM | ||
Sunrise | Giovanni Allevi | E Major | 3 | 12B | 82 BPM |