"Les Illuminations, Op. 18: IIIa. Phrase "J'ai tendu des cordes..." - Live" by Benjamin Britten, Arthur Rimbaud, Felicity Lott, Armin Jordan, Orchestre de Chambre de Lausanne was released on December 8, 2017. With Les Illuminations, Op. 18: IIIa. Phrase "J'ai tendu des cordes..." - Live being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 102 in the song's album "Orchestre de Chambre de Lausanne - 75 ans". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Switzerland. Les Illuminations, Op. 18: IIIa. Phrase "J'ai tendu des cordes..." - Live is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Les Illuminations, Op. 18: IIIa. Phrase "J'ai tendu des cordes..." - Live by Benjamin Britten, Arthur Rimbaud, Felicity Lott, Armin Jordan, Orchestre de Chambre de Lausanne having a テンポ of 49 with a half-time of 24 テンポ and a double-time of 98 テンポ, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata For Arpeggione And Piano In A Minor, D. 821: 3. Allegretto | Franz Schubert, Mstislav Rostropovich, Benjamin Britten | G Major | 0 | 9B | 66 BPM | ||
Vier letzte Lieder, TrV 296: 2. September | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D Major | 1 | 10B | 153 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM | ||
The Seasons, Op. 67, Pt. 1 "L'hiver": No. 4, Variation de la glace | Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM | ||
Pini di Roma, P. 141: I. I pini di Villa Borghese | Ottorino Respighi, Buffalo Philharmonic Orchestra, Joann Falletta | D♭ Minor | 1 | 12A | 130 BPM | ||
Geistliches Lied, Op. 30 | Johannes Brahms, Matthew Morley, St. Bride's Church Choir, Fleet Street, Robert Jones | E♭ Major | 1 | 5B | 172 BPM | ||
Brandenburg Concerto No. 5 in D, BWV 1050: 2. Affetuoso | Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten | B♭ Major | 1 | 6B | 109 BPM | ||
Symphony in E Minor, Op. 32, "Gaelic Symphony": II. Alla siciliana - Allegro vivace - Andante | Amy Beach, Nashville Symphony Orchestra, Kenneth Schermerhorn | F Major | 0 | 7B | 122 BPM | ||
Appalachian Spring: II. Allegro | Aaron Copland, Leonard Bernstein, New York Philharmonic | F Major | 4 | 7B | 82 BPM | ||
St. Paul's Suite, Op. 29, No. 2: IV. Finale, "The Dargason" | Gustav Holst, English Sinfonia, Howard Griffiths | C Major | 3 | 8B | 80 BPM |