Venezia e Napoli, S.162 (rev. version 1859) supplement to Années de Pelerinage, 2ème année: Italie (S.161): 1. Gondoliera (Quasi Allegretto)

Franz Liszt, Wilhelm Kempff
Liszt: Années de Pèlerinage, Italie (Excerpts); Gondoliera; Deux Légendes
5:23 2011年1月1日
テンポ
85
キー
F♯ Major
キャメロットミュージックキー
2B

リンクを埋め込む

共有

Venezia e Napoli, S.162 (rev. version 1859) supplement to Années de Pelerinage, 2ème année: Italie (S.161): 1. Gondoliera (Quasi Allegretto) - Franz Liszt, Wilhelm Kempff 情報

音響性
99%
ダンサビリティ
26%
エネルギー
5%
手段性
87%
活気
11%
ラウドネス
49%
話し言葉
4%
価数
6%
人気
ラウドネス
-30.522 dB

まとめ

"Venezia e Napoli, S.162 (rev. version 1859) supplement to Années de Pelerinage, 2ème année: Italie (S.161): 1. Gondoliera (Quasi Allegretto)" by Franz Liszt, Wilhelm Kempff was released on January 1, 2011. With this song being about 5 minutes long, at 5:23, "Venezia e Napoli, S.162 (rev. version 1859) supplement to Années de Pelerinage, 2ème année: Italie (S.161): 1. Gondoliera (Quasi Allegretto)" by Franz Liszt, Wilhelm Kempff is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Franz Liszt, Wilhelm Kempff's "Liszt: Années de Pèlerinage, Italie (Excerpts); Gondoliera; Deux Légendes" album is number 7 out of 9. On top of that, Germany appears to be the country where this track was created. Venezia e Napoli, S.162 (rev. version 1859) supplement to Années de Pelerinage, 2ème année: Italie (S.161): 1. Gondoliera (Quasi Allegretto) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Venezia e Napoli, S.162 (rev. version 1859) supplement to Années de Pelerinage, 2ème année: Italie (S.161): 1. Gondoliera (Quasi Allegretto) テンポ

We consider the tempo marking of Venezia e Napoli, S.162 (rev. version 1859) supplement to Années de Pelerinage, 2ème année: Italie (S.161): 1. Gondoliera (Quasi Allegretto) by Franz Liszt, Wilhelm Kempff to be Andante (at a walking pace) because the track has a tempo of 85 テンポ, a half-time of 42テンポ, and a double-time of 170 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Venezia e Napoli, S.162 (rev. version 1859) supplement to Années de Pelerinage, 2ème année: Italie (S.161): 1. Gondoliera (Quasi Allegretto) キー

F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) by Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano)Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-MasonA Major111B89 BPM
Pièces Lyriques, Op. 47 No. 3: Mélodie by Edvard Grieg, Shani DilukaPièces Lyriques, Op. 47 No. 3: MélodieEdvard Grieg, Shani DilukaF Major07B105 BPM
Variations On A Theme By Chopin: Variation 1. Tranquillo e molto amabile by Federico Mompou, Daniil TrifonovVariations On A Theme By Chopin: Variation 1. Tranquillo e molto amabileFederico Mompou, Daniil TrifonovA Major011B66 BPM
Cello Concerto No. 1 in C Major, Hob.VIIb:1: III. Allegro molto by Joseph Haydn, Steven Isserlis, Sir Roger NorringtonCello Concerto No. 1 in C Major, Hob.VIIb:1: III. Allegro moltoJoseph Haydn, Steven Isserlis, Sir Roger NorringtonB Minor410A119 BPM
Nocturne No. 1 in E-Flat Major by John Field, Benjamin FrithNocturne No. 1 in E-Flat MajorJohn Field, Benjamin FrithE♭ Major05B73 BPM
Thaïs: Méditation by Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo GuerreroThaïs: MéditationJules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo GuerreroD Major010B84 BPM
Concerto in D Minor, Op.7, No.4: I. Adagio by George Frideric Handel, Academy of Ancient Music, Richard EgarrConcerto in D Minor, Op.7, No.4: I. AdagioGeorge Frideric Handel, Academy of Ancient Music, Richard EgarrD♭ Minor012A75 BPM
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume by Robert Schumann, Kian Soltani, Aaron PilsanMyrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine BlumeRobert Schumann, Kian Soltani, Aaron PilsanF Major07B116 BPM
Songs Without Words, Book VI Opus 67: No. 2 in F-Sharp Minor by Felix Mendelssohn, Bertrand ChamayouSongs Without Words, Book VI Opus 67: No. 2 in F-Sharp MinorFelix Mendelssohn, Bertrand ChamayouF♯ Minor111A69 BPM
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] by Franz Liszt, Oxana YablonskayaSchwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert]Franz Liszt, Oxana YablonskayaD Major010B66 BPM
ISRC
DEF057400620
レコードレーベル
L-M Records/RCA Records