"Fantasía para un gentilhombre for Guitar and Small Orchestra: 2. Españoleta y Fanfare de la Caballería de Nápoles (Adagio - Allegretto molto ritmico)" by Joaquín Rodrigo, Pepe Romero, Academy of St. Martin in the Fields, Sir Neville Marriner was released on January 1, 1994. Since Fantasía para un gentilhombre for Guitar and Small Orchestra: 2. Españoleta y Fanfare de la Caballería de Nápoles (Adagio - Allegretto molto ritmico) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "Rodrigo: Concierto de Aranjuez; Fantasía para un gentilhombre etc.". In this album, this song's track order is #5. In terms of popularity, Fantasía para un gentilhombre for Guitar and Small Orchestra: 2. Españoleta y Fanfare de la Caballería de Nápoles (Adagio - Allegretto molto ritmico) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fantasía para un gentilhombre for Guitar and Small Orchestra: 2. Españoleta y Fanfare de la Caballería de Nápoles (Adagio - Allegretto molto ritmico) by Joaquín Rodrigo, Pepe Romero, Academy of St. Martin in the Fields, Sir Neville Marriner having a テンポ of 108 with a half-time of 54 テンポ and a double-time of 216 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for 2 Pianos and Orchestra (No.10) in E flat, K.365: 3. Rondeau (Allegro) | Wolfgang Amadeus Mozart, Alfred Brendel, Imogen Cooper, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 2 | 5B | 87 BPM | ||
Trumpet Sonata in D Major, Z. 850: I. Allegro | Henry Purcell, Ede Inhoff, Hungarian State Opera Chamber Orchestra | E♭ Minor | 0 | 2A | 83 BPM | ||
Piano Concerto No. 6: II. Larghetto | John Field, Matthias Bamert, London Mozart Players, Miceal O'Rourke | E Major | 0 | 12B | 79 BPM | ||
Sérénade A Dulcinée | Ernesto Halffter, Leticia Moreno, Ana-Maria Vera | A Minor | 1 | 8A | 128 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 3 | 7A | 101 BPM | ||
Violin Concerto In E Minor, Op.64, MWV O14: 1. Allegro molto appassionato | Felix Mendelssohn, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | E Minor | 2 | 9A | 89 BPM | ||
Suite for Strings after 12 Violin Sonatas, Op. 5: II. Giga. Allegro | Arcangelo Corelli, Eugene Ormandy, Philadelphia Orchestra | A Major | 2 | 11B | 89 BPM | ||
Habanera | Emmanuel Chabrier, Monte-Carlo Philharmonic Orchestra, Herve Niquet | A Major | 0 | 11B | 80 BPM | ||
Bach - 3 chorales, P. 167: No. 3. Andante (after J.S. Bach's Wachet auf ruft uns die Stimme, BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 110 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: IV. Finale: Allegro guerriero | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 97 BPM |