Maria Rezende, Ana Carolina's 'Pau Mole - Bônus' came out on June 20, 2008. For a fairly short song, this song is "Pau Mole - Bônus" is considered an explicit song with a duration of 1:00. The song is number 29 out of 29 in Bendita Palavra by Maria Rezende. Going off of the ISRC code of this track, we detected that the origin of this track is from Brazil. Pau Mole - Bônus is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Pau Mole - Bônus by Maria Rezende, Ana Carolina is Andante (at a walking pace), since this song has a tempo of 78 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Festa dos Sentidos | Novos Planos Inclinados | D Major | 2 | 10B | 96 BPM | ||
Contradança | Alice Passos, Breno Ruiz | G Minor | 1 | 6A | 88 BPM | ||
O Mar de Ilhabela | A Banda! | D Major | 3 | 10B | 76 BPM | ||
Borboletas, Cores e Flores | Lula Canário | A Major | 2 | 11B | 145 BPM | ||
Tudo em Mim | Maria Rezende | E Major | 1 | 12B | 78 BPM | ||
Abraço Apertado | Allisson Costta | D Major | 3 | 10B | 140 BPM | ||
Pai Querido | Vera Liger | E♭ Major | 5 | 5B | 138 BPM | ||
Oxala É Nosso Pai | Irineu Barsé, Maria Clara | A Major | 3 | 11B | 106 BPM | ||
Tarde no Brasil | Maria Rezende | F♯ Major | 1 | 2B | 102 BPM | ||
Avestruz | Zooparky | A Major | 6 | 11B | 116 BPM |