Hector Berlioz, London Symphony Orchestra, Sir Simon Rattle's 'La Damnation de Faust, Op. 24, H. 111, Pt. I, Scène III: Marche hongroise (Hungarian March)' came out on March 8, 2019. With this song being about 5 minutes long, at 4:53, "La Damnation de Faust, Op. 24, H. 111, Pt. I, Scène III: Marche hongroise (Hungarian March)" by Hector Berlioz, London Symphony Orchestra, Sir Simon Rattle is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 36 in Berlioz: La damnation de Faust by Hector Berlioz, London Symphony Orchestra, Sir Simon Rattle, Christopher Purves, Karen Cargill, Bryan Hymel, Gábor Bretz. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, La Damnation de Faust, Op. 24, H. 111, Pt. I, Scène III: Marche hongroise (Hungarian March) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La Damnation de Faust, Op. 24, H. 111, Pt. I, Scène III: Marche hongroise (Hungarian March) by Hector Berlioz, London Symphony Orchestra, Sir Simon Rattle is Andante (at a walking pace), since this song has a tempo of 92 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Four Seasons - Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": II. Largo e pianissimo sempre | Antonio Vivaldi, Joshua Bell, Academy of St. Martin in the Fields | D♭ Minor | 1 | 12A | 176 BPM | ||
Rosamunde, D. 797: Overture - Remastered 2024 | Franz Schubert, London Symphony Orchestra, Josef Krips | C Major | 1 | 8B | 141 BPM | ||
Symphony No. 1, Op. 25 in D "Classical": Allegro con brio | Sergei Prokofiev, Yuri Temirkanov | E Minor | 0 | 9A | 99 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
Wagner: Lohengrin, WWV 75, Act 3 Scene 1: Prelude (Sehr lebhaft) | Richard Wagner, Vienna State Opera Chorus, Rudolf Kempe, Wiener Philharmoniker | G Major | 3 | 9B | 80 BPM | ||
Sarabande et rigaudon, Op. 93: Rigaudon | Camille Saint-Saëns, Orchestre National de Lille, Jun Markl | E Major | 2 | 12B | 121 BPM | ||
Symphony N°3 in F major, Op. 90: III. Poco Allegretto | London Symphony Orchestra | C Minor | 1 | 5A | 134 BPM | ||
Concerto for Violin and Orchestra no.2 in D minor op.22: 3. Allegro con fuoco-Allegro moderato (à la Zingara) | Henryk Wieniawski, Gil Shaham, London Symphony Orchestra, Lawrence Foster | D Major | 2 | 10B | 96 BPM | ||
Semiramide: Overture | Gioachino Rossini, London Symphony Orchestra, Richard Bonynge | D Major | 2 | 10B | 142 BPM | ||
Le corsaire, ouverture, Op. 21 | Hector Berlioz, Polish State Philharmonic Orchestra, Katowice, Kenneth Jean | G Major | 1 | 9B | 92 BPM |