On April 6, 2024, the song "Bega To Bulaya (From "Rajwada - The Feel Of Rajasthan")" was released by Sonam Choudhary, Jalal Khan. The duration of Bega To Bulaya (From "Rajwada - The Feel Of Rajasthan") is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Bega To Bulaya (From "Rajwada - The Feel Of Rajasthan")'s duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Bega To Bulaya (From "Rajwada - The Feel Of Rajasthan") and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Bega To Bulaya (From "Rajwada - The Feel Of Rajasthan") is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Bega To Bulaya (From "Rajwada - The Feel Of Rajasthan") by Sonam Choudhary, Jalal Khan is Adagio (slowly with great expression), since this song has a tempo of 75 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tip Tip Barsh Pani | Bhagirath Sisodiya, Rashmi Nishad | A♭ Major | 8 | 4B | 80 BPM | ||
Tikho Tavadiyo | Maina Rao | E♭ Minor | 6 | 2A | 180 BPM | ||
Bhabri Bald | Kalpana Sani Rawat, Darshan Farswan, Kiran Rana, Shailendra Patwal | A Minor | 8 | 8A | 98 BPM | ||
Jhula Jhule Sawriyo | Prakash Mali Mehandwas, Hemraj Saini | D♭ Major | 6 | 3B | 116 BPM | ||
Mere Guru Paya Gyan Ka Pyala | Anil Nagori | F Minor | 10 | 4A | 90 BPM | ||
Raja Kar Gaya Wada Aawan Daa | Jalal Khan Lava | A♭ Major | 10 | 4B | 119 BPM | ||
Pannadhay Ki Amar Gatha | Sarita Kharwal, Ashok Chouhan | C Major | 9 | 8B | 80 BPM | ||
Bannao Baga Me Jhula Ghalya | Maina Rao | F♯ Major | 8 | 2B | 92 BPM | ||
Babu Bnale Nahi Baba Banugo | Satto Gurjar | G Minor | 10 | 6A | 141 BPM | ||
Ghava Bhariyo Sarir | Bhagirath Khichar, Raju Swami | B Minor | 10 | 10A | 115 BPM |