"Suite For Harp, Op.83- Overture (Majestic)" by Benjamin Brit, Judy Loman was released on January 1, 1996. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in 20th Century Masterworks For Harp, so we believe that "Suite For Harp, Op.83- Overture (Majestic)" is a single. Based on our statistics, Suite For Harp, Op.83- Overture (Majestic)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite For Harp, Op.83- Overture (Majestic) by Benjamin Brit, Judy Loman is Allegro (fast, quick, and bright), since this song has a tempo of 137 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jeesus, sä ainoa | Carolina Volla-Sørlie, SRK Instrumentaali, Sinikka Illikainen, Mikael Säily, Tommi Tuovinen | G Major | 1 | 9B | 67 BPM | ||
Cantigas de Santiago: No. 3, Como póden per sas culpas | Stephen Goss, David Russell | A Minor | 2 | 8A | 146 BPM | ||
28 Variazions on Aria “ I Was Sleeping and Then I Dreamed” for Solo Flute in G Major: Variation 6 (Recomposed by Luca Astolfoni Fossi) | Johann Joachim Quantz, Claudio Ferrarini | G Major | 2 | 9B | 86 BPM | ||
Sunday on Fifth Avenue - Performance | Cecilia McDowall, Ofer Falk, Irina Lyakhovskaya | G Major | 1 | 9B | 85 BPM | ||
7 Canciones Populares Españolas (Arr. R. Boyd & L. Metcalf for Cello & Guitar): No. 5, Nana | Manuel de Falla, Boyd Meets Girl | A Minor | 0 | 8A | 96 BPM | ||
Suite Modale: II. L'istesso tempo | Carlo Corazza, Ernest Bloch | E Minor | 1 | 9A | 105 BPM | ||
Centone di Sonata No. III en do majeur: Larghetto Cantabile | Niccolò Paganini, Similia | D♭ Minor | 1 | 12A | 82 BPM | ||
Harp concerto in B-Flat major, op.4 n.6, HWV 294: I. Andante allegro, Grandjany Vers. - Live Recital 2022 | Marcel Grandjany, George Frideric Handel, Antonio Ostuni | F Major | 1 | 7B | 87 BPM | ||
Suite No. 1, "Orientale": I. Okenstamning: Adagio | Kurt Atterberg, Ferenc Balogh, Gyorgy Kertesz, Andras Kiss, Ilona Prunyi | B Minor | 1 | 10A | 61 BPM | ||
Walking Easy | Florian Forestino | D Minor | 0 | 7A | 85 BPM |