Gaetano Donizetti, Mario Carlin, Coro Del Teatro Alla Scala Di Milano, Noberto Mola, RIAS Sinfonie-Orchester Berlin, Herbert von Karajan's 'Lucia di Lammermoor (1997 Digital Remaster): Percorrete...Percorriamo..le spiaggie vicine' came out on August 30, 1997. The duration of Lucia di Lammermoor (1997 Digital Remaster): Percorrete...Percorriamo..le spiaggie vicine is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Lucia di Lammermoor (1997 Digital Remaster): Percorrete...Percorriamo..le spiaggie vicine's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 35 in Donizetti: Lucia di Lammermoor by Gaetano Donizetti, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Nicola Zaccaria, Coro Del Teatro Alla Scala Di Milano, RIAS Sinfonie-Orchester Berlin, Herbert von Karajan. In terms of popularity, Lucia di Lammermoor (1997 Digital Remaster): Percorrete...Percorriamo..le spiaggie vicine is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lucia di Lammermoor (1997 Digital Remaster): Percorrete...Percorriamo..le spiaggie vicine by Gaetano Donizetti, Mario Carlin, Coro Del Teatro Alla Scala Di Milano, Noberto Mola, RIAS Sinfonie-Orchester Berlin, Herbert von Karajan is Andante (at a walking pace), since this song has a tempo of 106 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
Norma / Act 1: Casta Diva | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | F Major | 1 | 7B | 67 BPM | ||
Tosca / Act II: "Vissi d'arte, vissi d'amore" | Giacomo Puccini, Katia Ricciarelli, Ruggero Raimondi, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 0 | 5B | 92 BPM | ||
Lucia di Lammermoor / Act 2: "Soffriva nel pianto" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D Major | 4 | 10B | 108 BPM | ||
Mozart: Le nozze di Figaro, K. 492, Act 2: "Voi che sapete" (Cherubino) | Wolfgang Amadeus Mozart, Marianne Crebassa, Marc Minkowski, Mozarteum Orchestra Salzburg | B♭ Major | 1 | 6B | 64 BPM | ||
Roméo et Juliette, CG 9: "L'amour! l'amour! oui, son ardeur a troublé" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | G Minor | 1 | 6A | 79 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Glou, glou, glou (Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | C Major | 0 | 8B | 101 BPM | ||
Il barbiere di Siviglia / Act 1: "Ecco, ridente in cielo" - "Ehi, Fiorello?" - "Gente indiscreta!" | Gioachino Rossini, Luigi Alva, Renato Cesari, Barna Kováts, Theodor Guschlbauer, Ambrosian Opera Chorus, London Symphony Orchestra, Claudio Abbado | G Major | 2 | 9B | 136 BPM | ||
La Gioconda / Act 1: "Voce di donna o d'angelo" | Amilcare Ponchielli, Olga Borodina, Orchestra of the Welsh National Opera, Carlo Rizzi | E♭ Major | 1 | 5B | 78 BPM | ||
Don Pasquale, Act II Prima Scena: E se fia che ad altro oggetto (Ernesto) | Gaetano Donizetti, Gösta Winbergh/Mirella Freni/Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra | D♭ Major | 2 | 3B | 134 BPM |