Anonymous, Atrium Musicae de Madrid, Gregorio Paniagua's 'The Spaynard (Elizabeth Rogers hir Virginall booke, c. 1657)' came out on January 28, 1986. With The Spaynard (Elizabeth Rogers hir Virginall booke, c. 1657) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Atrium Musicae de Madrid, Gregorio Paniagua's "Madrid Atrium Musicae: Three Centuries of La Spagna" album is number 22 out of 32. Based on our statistics, The Spaynard (Elizabeth Rogers hir Virginall booke, c. 1657)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of The Spaynard (Elizabeth Rogers hir Virginall booke, c. 1657) by Anonymous, Atrium Musicae de Madrid, Gregorio Paniagua to be Allegro (fast, quick, and bright) because the track has a tempo of 136 テンポ, a half-time of 68テンポ, and a double-time of 272 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Misa de Medianoche: Himno - Remastered | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes | F♯ Minor | 1 | 11A | 95 BPM | ||
Mout me fu grief li departir / Robin m'aime, Robin m'a / Portare | Adam de la Halle, Tonus Peregrinus, Antony Pitts | G Major | 2 | 9B | 89 BPM | ||
Regina Mundi | Monks Of The Abbey Of Notre Dame | B Major | 1 | 1B | 133 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: V. Glory Be to Thee | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E♭ Major | 1 | 5B | 97 BPM | ||
Missa cunctipotens genitor Deus - Sanctus | Nova Schola Gregoriana, Alberto Turco | C Major | 1 | 8B | 100 BPM | ||
Gloria V - In Nativitate Domini ad Missam in die | Gregorian Chant, Schola of the Hofburgkapelle, Vienna, Hubert Dopf S.J. | B Minor | 0 | 10A | 84 BPM | ||
Tempo Dell'Umiliazione E Della Morte. Antifona D'Ingresso: Nos Autem | Canonici Regolari Si Sant'Antimo | F♯ Minor | 0 | 11A | 77 BPM | ||
Joy Of The Celestial Forces | "Drevnerussky Rospev" Male Choir | G Minor | 0 | 6A | 134 BPM | ||
Largire nunc mitissime | Jacob Obrecht, Cappella Mariana, Vojtěch Semerád | C Major | 2 | 8B | 95 BPM | ||
We Praise Thee, O God No. 4 in G Major | Lege Artis Chamber Choir, Boris Abalyan | A Major | 1 | 11B | 173 BPM |