"Heil'ge Nacht, auf Engelsschwingen" by Thomanerchor Leipzig, Hans-Joachim Rotzsch was released on February 21, 2014. The duration of Heil'ge Nacht, auf Engelsschwingen is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Heil'ge Nacht, auf Engelsschwingen's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Weihnachten mit dem Thomanerchor by Thomanerchor Leipzig, Hans-Joachim Rotzsch. The song's track number on the album is #15 out of 30 tracks. Heil'ge Nacht, auf Engelsschwingen is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Heil'ge Nacht, auf Engelsschwingen by Thomanerchor Leipzig, Hans-Joachim Rotzsch has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Heil'ge Nacht, auf Engelsschwingen being at 81 テンポ, the half-time would be 40 テンポ with a double-time of 162 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Deutsche Messe, D. 872: VIII. Schlussgesang. Nicht zu langsam | Franz Schubert, Erhard Nowak, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes Prinz | N/A | N/A | N/A | 0 BPM | ||
Matthäus-Passion, BWV 244, Pt. 1: No. 27, Aria With Chorus. "So ist mein Jesus nun gefangen" (Soprano, Alto, Chorus) - "Sind Blitze, sind Donner in Wolken verschwunden?" [Chorus] | Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Adele Stolte, Annelies Burmeister, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger | F Minor | 1 | 4A | 140 BPM | ||
Intermezzo | Canto Gregoriano | G Minor | 1 | 6A | 89 BPM | ||
Litaniae Omnium Sanctorum, ZWV 153: Kyrie eleison | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | A♭ Major | 2 | 4B | 121 BPM | ||
Stabat Mater: III. Quis est home | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Mass in D Major, Op. 86, B. 153: VI. Agnus Dei | Antonín Dvořák, Priska Eser-Streit, Barbara Müller, Matthias Rettner, Thomas Hamberger, Harald Feller | G Major | 0 | 9B | 137 BPM | ||
St. Matthew Passion, BWV 244 / Part Two: No. 40 Choral: "Bin ich gleich von dir gewichen" | Johann Sebastian Bach, Thomanerchor Leipzig, Tölzer Knabenchor, Gewandhausorchester, Riccardo Chailly | B Minor | 2 | 10A | 111 BPM | ||
Hymnen, Op. 140: Nr. 4 Ave Regina | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | D♭ Major | 1 | 3B | 69 BPM | ||
Hymnen, Op. 140: Nr. 5 Angelus suis | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 102 BPM | ||
Christ lag in Todesbanden: III. Coro "Alleluja es ist Victoria" | Johann Kuhnau, Paul Agnew, Les Arts Florissants | E Major | 4 | 12B | 101 BPM |