Richard Strauss, Mischa Maisky, Tabea Zimmermann, Berliner Philharmoniker, Zubin Mehta made "Don Quixote, Op. 35: Variation IX. (Schnell und stürmisch)" available on January 8, 2022. With Don Quixote, Op. 35: Variation IX. (Schnell und stürmisch) being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Mischa Maisky's "Mischa Maisky - Great Recordings" album is number 70 out of 99. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Don Quixote, Op. 35: Variation IX. (Schnell und stürmisch) is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Don Quixote, Op. 35: Variation IX. (Schnell und stürmisch) by Richard Strauss, Mischa Maisky, Tabea Zimmermann, Berliner Philharmoniker, Zubin Mehta to be Moderato (at a moderate speed) because the track has a tempo of 109 テンポ, a half-time of 54テンポ, and a double-time of 218 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Salome op. 54: Er ist schrecklich. | Richard Strauss, Vienna State Opera Orchestra, Clemens Krauss, Maria Cebotari, Karl Friedrich, Marko Rothmüller | A Major | 3 | 11B | 91 BPM | ||
String Quartet No.14 In C Sharp Minor, Op.131: 6. Adagio quasi un poco andante | Ludwig van Beethoven, Emerson String Quartet | A♭ Minor | 0 | 1A | 91 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
Elektra, op. 58: Ich habe keine guten Nächte. | Richard Strauss, Orchestra del Maggio Musicale Fiorentino, Dimitri Mitropoulos, Martha Mödl, Anny Konetzni | F Major | 3 | 7B | 75 BPM | ||
Symphony No. 1, Op. 25 in D "Classical": Finale | Sergei Prokofiev, Yuri Temirkanov | D Major | 0 | 10B | 77 BPM | ||
Polovetsian Dances from Prince Igor: Moderato alla breve | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 2 | 11B | 108 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): Round Dance Of The Princesses | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | D♭ Minor | 0 | 12A | 82 BPM | ||
Symphony No. 1 in G Minor, Op. 13, TH 24, "Winter Daydreams": II. Adagio cantabile ma non tanto, "Land of Desolation, Land of Mists" | Pyotr Ilyich Tchaikovsky, Mariss Jansons, Oslo Philharmonic Orchestra | F Minor | 0 | 4A | 86 BPM | ||
Jazz Suite No. 2: III. Dance 1 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A Major | 3 | 11B | 153 BPM | ||
Shostakovich: Cello Concerto No. 1 in E-Flat Major, Op. 107: I. Allegretto | Dmitri Shostakovich, Gautier Capuçon, Valery Gergiev, Mariinsky Orchestra | A♭ Major | 2 | 4B | 117 BPM |